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Join Brandon Sanderson on His Arcanum Unbounded Tour!

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Brandon Sanderson Arcanum Unbounded tour

We are thrilled to announce that #1 New York Times bestselling epic fantasy author Brandon Sanderson is touring for the upcoming release of Arcanum Unbounded: The Cosmere Collection (on sale Nov. 22)! Sanderson’s first compilation of short fictionArcanum Unbounded includes a total of nine works: novellas and short stories set in the Shardworlds, the worlds of Stormlight, Mistborn, Elantris, and others. An all-new 40,000-word Stormlight Archive novella is the crown jewel appearing in this collection for the first time anywhere!

Thus far, Publishers Weekly says, “This collection is required reading for Sanderson fans, offering plenty for new readers who are undeterred by learning too much.” And Kirkus Reviews touts “…fans of Sanderson’s other works will eagerly devour this collection, in which familiar characters return and familiar worlds are further explored.”

Check out the full list of tour dates below.

Tuesday, November 22 (Pub day!)
BYU Store
In-Store Event
Provo, UT
7:00 PM

Tuesday, November 29
Hosted by Old Firehouse Books
Ticketed Offsite Event: Midtown Arts Center
$5 admission with $5 off coupon for purchase of Arcanum Unbounded
Fort Collins, CO
6:00 PM

Wednesday, November 30
Borderlands Books
In-Store Event
San Francisco, CA
5:00 PM

Thursday, December 1
Hosted by University Bookstore
Ticketed Offsite Event: University Temple United Methodist Church
$27.99 ticket price includes 1 copy of Arcanum Unbounded and admission for 2 people
Seattle, WA
7:00 PM

Saturday, December 3
Hosted by Little City Books
Non-ticketed Offsite Event: Stevens Tech University, The Babbio Center
575 River Street
Hoboken, NJ
4:00 PM

Tuesday, December 6
Hosted by Volumes Bookcafe
Non-ticketed Offsite Event: Herald Washington Library Center, Cindy Pritzker Auditorium
Chicago, IL
6:00 PM


Brandon Sanderson’s Cosmere Universe Movie Rights Sold in Massive Multi-Film Deal

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Brandon Sanderson Cosmere film deal

DMG Entertainment has made a licensing and film deal for the rights to Brandon Sanderson’s Cosmere novels, according to Variety. The group is already fast-tracking an adaptation of the first volume of the Stormlight Archive fantasy epic: The Way of Kings.

Due to the scope of Sanderson’s universe, DMG has likened this acquisition to obtaining the rights for a comic book universe, as many of Sanderson’s book series are contained within an overarching “Cosmere”. While the Cosmere contains such varied properties as The Stormlight Archive (epic fantasy), Mistborn (urban tech fantasy), White Sand (graphic novel adventure), and more, readers have only been given small hints as to how these massive epics tie together into a singular universe. (Sanderson’s next book, Arcanum Unbounded, out on November 22nd, will shed further light on the connections between these worlds.)

Although the Stormlight Archive books are first in line for adaptation and have already been assigned script writers, DMG is also seeking writers for an adaptation of the initial Mistborn novel The Final Empire.

A few words from Brandon Sanderson on the development:

“The people at DMG aren’t just producers or financiers. They’re fans. From the first moment we met, I knew they understood my vision and goals for the Cosmere, and I’ve been excited to work with them in bringing their vision for the universe to the screen.”

Screenwriters Patrick Melton and Marcus Dunstan, a team responsible for several “Saw” franchise films, have been selected to adapt The Way of Kings, with Sanderson and Joshua Bilmes of JABberwocky on board as executive producers.

Want to know more? Let’s Talk About Brandon Sanderson’s Cosmere.

Find Out What’s Inside Brandon Sanderson’s New Cosmere Book Arcanum Unbounded

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Arcanum Unbounded

On November 22nd, fans of Brandon Sanderson’s books get to find out how they’re all connected.

Arcanum Unbounded is a collection of stories that take place within the “Cosmere,” the overarching universe that houses the author’s many epics. In Arcanum, readers will find stories from the expansive Mistborn series and the vast Stormlight Archive, as well as smaller tales from distant planets, forests of hell, and white sands. New readers will find a wealth of exciting introductory stories into Sanderson’s myriad worlds, and established fans will get to enjoy a new multi-chapter Stormlight Archive story before the next book, Oathbringer, arrives.

But…what else may be awaiting readers in Arcanum Unbounded? Check out the Table of Contents:

Arcanum Unbounded Table of Contents

As we can see, each collection of stories appears to be sectioned out based on the planetary system that those stories take place within. (Each story also features new original art!) Further, each of those sections is prefaced with a report, of sorts, on that system. Some of these planetary systems are familiar to the reader, some are almost entirely new, and some have apparently been hiding a great deal from their observers…

Tor.com will be digging further into the Arcanum in the days leading up to the collection’s November 22nd release. Keep an eye on our Arcanum Unbounded tag for the latest news and excerpts. We’re just getting started!

Dream-casting Brandon Sanderson’s The Way of Kings

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The Way of Kings cover art wallpaper Michael Whelan

If you’re a fan of Brandon Sanderson’s epic fantasy and haven’t been lost in the far reaches of the Northwest Territories for the better part of the past week, you already know about the exciting announcement that hit last week. DMG Entertainment now owns the film and licensing rights to the entire Cosmere, placing them in the position of holding a massive franchise with immense potential for years decades to come. Excited, much?

I first saw the news when someone posted it to a beta-readers group, and after a few minutes of general rambunction, we promptly began the debate over who should be cast as Hoid. Which naturally leads to why we’re here today…

Before we get to our casting picks, let’s address some of the most common questions and worries fans have expressed.

The original statement mentions plans for a movie adaptation of The Way of Kings, but many believe it would work better as TV series. Lucky for us, DMG can choose to do either one. Right now they’re looking for a big-screen adaptation—because who doesn’t want to watch these epic scenes play out on a screen as big as a house? When they start writing the screenplay, they may well decide that it needs to be done as two or three films (the book is written in five parts, after all), or they might decide that it would work better as a weekly television series. They’ve got the choice, and they’ll make it when the time comes. Brandon has also made the point that the people he’s working with are not just movie-makers – they’re fans. They really want to do this justice.

I’ve also seen calls to start with Mistborn first, and I personally agree. Introducing the franchise through a manageable story with a female lead makes sense. As much as I want to see Kaladin learn to fly, I believe they’d be better served by starting with Vin—but that’s just one fan’s opinion.

Finally, the purchase of film rights doesn’t guarantee a film. In fact, most such purchases never turn into anything, and eventually the rights revert back to the author, and someone else buys them and the cycle begins anew. So our enthusiasm is restrained, eh? We can get well and truly pumped when they announce a good screenplay and a cast.

Which brings me to… DREAM-CASTING! It also brings me to admit that I’m a total loss at this. Fortunately, I can go to the same people Brandon and Peter go to: the beta readers. They are awesome, y’all, and I owe a round of drinks, or dinner, or something. In fact, I’m just going to step aside now: the true dream-casting comes as a guest post by the most excellent Lyndsey Luther:

Greetings, Brightlords and ladies! Lyndsey here! The Sanderson fan community was taken by storm (haha, get it?!) with Brandon’s recent announcement of his big Cosmere film deal, and we—his beta and gamma readers—have come up with a tentative “dream-cast” for your speculation pleasure! I have the fun job of condensing our thoughts/opinions on the matter for you into a handy-dandy list of actors who, we postulate, would be the perfect cast for a potential Stormlight Archive film.

Before we get into the fun stuff, I’d like to tell you a little about our decision-making process. For the purposes of this dream-casting, we are focusing on how actors or actresses look now (as opposed to, say, “Yul Brynner from the days of the original Magnificent Seven”). Some of these choices are big names (and we do mean big), but for the most part we tried to stick with more inexperienced actors, basing our choices in these cases primarily on the way they looked. (Casting unknowns worked well for Game of Thrones, after all.) We also put a lot of thought into the question of characters’ race and ethnicity. Unless you read the books very carefully, you may be surprised by some of our choices in this regard, so I’d like to fill you in briefly on Brandon’s comments regarding ethnicity in Roshar. (If you’d rather just get to the casting, feel free to skip this paragraph.)

For the most part, Brandon has stated that characters in the Stormlight Archive should have the epicanthic fold in their eyes; on this Reddit thread, he said:

Alethkar natives other than the Shin have the epicanthic fold, but the Alethi wouldn’t look strictly Asian to you–they’d look like a race that you can’t define, as we don’t have them on Earth. I use half-Asian/half-arab or half-asian/half-Polynesian models as my guide some of the time, but Alethi are going to have a tanner skin than some of those. . . . Shin would look the closest to Caucasian to you. . . .

With this in mind, we attempted to limit the majority of our cast to Asian actors and actresses. If we couldn’t find an Asian actor or actress who was perfect for the role, we did branch out to other races and ethnicities, but one of our main concerns was not white-washing the cast.

Now that we have that out of the way, on to the list! We’ll begin with the primary characters, and move on to a few secondary cast members that we were unanimously able to agree on…

 

Kaladin Stormblessed – Alex Mallari, Jr.

alex-mallari-kaladinLet’s start with the focus character of Book One – Kaladin Stormblessed. Kaladin begins the story as a slave and undergoes some hardships along the way, and – let’s face it – is pretty angsty for a good portion of The Way of Kings. He struggles with his conceptualization of honor and what constitutes it, but is fiercely loyal to those he loves. Being Alethi, he would have the epicanthic fold and is described as being very tall, darker of skin, with long brown hair and a muscular physique. We started off with quite a few possibilities for Kal (eleven, to be precise) but ultimately we decided on Alex Mallari, Jr. He isn’t very well known yet, with parts on Dark Matter and Designated Survivor.

While he is a little old for the part at 28, we think he could pull off the younger look for Kal (who is supposed to be 19). He is also only 5’10”, but height isn’t necessarily a killing blow – as Lord of the Rings taught us, the viewer can be cleverly tricked into believing a character is taller or shorter with camera work.

Not only does he have the look and build for the part, but we believe he has the acting chops to pull it off as well. We were particularly impressed with one specific scene in Designated Survivor, in which Alex plays a Navy Seal talking to the President. In this scene he demonstrated a manner and way of carrying himself that screams “Kaladin.” It was noted that while he looked young in this scene, his eyes seemed much older and mature, which is very in-character for Kaladin and his experiences in The Way of Kings.

Honorable Mention: Luke Pasqualino for looks alone, particularly in his The Musketeers role. Thanks to tumblr user SquireNonny for “discovering” him.

 

Dalinar Kholin – Ken Watanabe or Donnie Yen

ken-watanabe-dalinarNext up: Dalinar Kholin! This Alethi highprince is supposed to be on the older side, probably in his 50s, with two sons in their 20s. In his younger days he was a formidable warrior (and he can still sling a Shardblade with the best of them), but during the events of Way of Kings he starts taking more of an administrative role in the ongoing war. He is described as being powerfully built, with wings of white in his black hair, and would be darker of skin (similar to Kaladin).

The beta reader group was a bit more divided on this casting choice – Ken Watanabe just barely beat out Donnie Yen as the winner. Watanabe is 57 years old, perfect for Dalinar, and strikes an imposing figure at 6’0”. He also displays the gravitas required of the role – one need only look at his performance in The Last Samurai to see that. He usually plays characters who are honorable and driven by duty. If there’s a better description for Dalinar, we have yet to hear it.

donnie-yen-dalinarOn the flip side, Donnie Yen is also approximately the right age (53) and has the martial arts training to do Dalinar’s more physical scenes justice. He’s a little short for the role at 5’8” and admittedly has a somewhat limited range, but the type of character he usually portrays (honorable older statesmen or warriors) is perfect for Dalinar. Not sold yet? Go check out the 1993 Kung Fu film Iron Monkey and get back to us. (We’re excited to see what he does in Star Wars: Rogue One as well!)

 

Shallan Davar – Rose Leslie

rose-leslie-shallanShallan Davar is the next character we debated. Shallan begins the story as a naïve girl with a surprisingly devious mission, and is very young – around 17. She is described as being slim and pale with freckles on her cheeks and nose, and long auburn hair. For Shallan, we broadened our casting net to include actresses without the epicanthic fold, despite the fact that Shallan would have eyes like most other Alethi. Our reasoning is that since Shallan is from Jah Kaved (and hence foreign compared to the majority of the rest of the cast), it would make sense for her to look noticeably different.

Our choice for Shallan is Rose Leslie, of Game of Thrones fame (she played Jon Snow’s lover, Ygritte). Not only does she have the requisite red hair, she also has the young, naïve look that we associate with Shallan, despite the fact that she’s a bit old for the part at 29. Her role in Downton Abbey serves as a good example of the naivety and immaturity of which she’s capable, in contrast to the tough-as-nails Ygritte. (That toughness would come in handy for some of Shallan’s later scenes, particularly those in Book Two, Words of Radiance.)

Just as long as she never says “You know nothing, Kaladin Stormblessed,” she’s got the part, in our opinion.

Honorable Mention: Chloe Bennet

 

Adolin Kholin – Godfrey Gao

godfrey-gao-adolinFangirls rejoice, because we’re on to the pretty boy, aka Adolin Kholin! One of Dalinar’s sons, Adolin is half Riran and takes after his mother’s side. He is described as being lighter of skin than his father, with blond hair with black strands in it. Being very handsome, Adolin is a bit of a playboy, jumping from brightlady to brightlady when he’s not on the battlefield. He is an accomplished warrior and commander for his age (early 20s) and owns his own set of Shardplate and a Shardblade. There’s some inconsistency on Adolin’s height, but it can be surmised that he is of a similar height with his father.

For Adolin, we considered quite a few actors. Getting the right combination of handsome, young, Asian, muscular enough to pull off a warrior role, and a charming smile proved to be more of a challenge than we anticipated, but we finally decided on a relative unknown, Godfrey Gao, for the part. He’s got just the right mix of looks and charm from what we can tell from his photos. He’s a bit old for the part at 32, but we’re pretty sure if he lost that scruff he’d look quite a lot younger.

 

Jasnah Kholin – Morena Baccarin

morena-baccarin-jasnahJasnah Kholin, Dalinar’s niece, was the next character we considered. She’s a bit older than Shallan, Kal, or Adolin (in her early 30s) and described as having long black hair. She always dresses impeccably and is stoic and regal, exemplifying both her chosen occupation as a scholar and her hereditary role as sister to the King of Alethkar. She is tall and slender, and spends the majority of the first book as Shallan’s mentor.

This choice was unanimous on the part of the beta readers. We chose Morena Baccarin, primarily known for her part as the escort Inara in Firefly and, more recently, as Vanessa in Marvel’s Deadpool film. (Do we really need to say anything more than “She was Inara”?) While Morena doesn’t have the epicanthic fold in her eyes, we couldn’t think of a single actress who exemplified Jasnah better. (Also, it should be mentioned that the skin tone of most Alethi is sometimes described by Team Sanderson as being more Brazilian, which is where Morena is from. So while she may not have the right eyes, she does hit the bullseye on another front.) She’s done a lot of genre work, which is always a plus, and is 37 – not too far off from Jasnah’s age. As Inara, she portrayed poise, elegance, and an airy dismissal of the antics of the rest of the crew that feels very similar to Jasnah. She is feminine (and undeniably beautiful) yet also tough when she needs to be, and can stand on her own against anyone who opposes her.

 

Szeth-son-son-Vallano – Michael Rosenbaum or Aaron Paul

michael-rosenbaum-szethOther than Adolin, the character we had the most trouble casting was Szeth-son-son-Vallano. An assassin tortured by the morality of what he is forced to do, Szeth is a Shin, and hence the only character in the main cast who would not have the epicanthic fold in his eyes. Because of this, he is often described by other characters as having “big” eyes and as looking younger, more innocent (despite probably being nearly 40). He is short and, what we discovered made for the hardest casting criteria of all, bald.

Now, anyone can shave their head or wear a bald cap, but it is very difficult to imagine what someone will look like without hair! Often they will look like a different person entirely. Most of the actors we considered without very short hair (or who were entirely bald) in photos we eventually dismissed, and wound up as a result with one winner and one close runner-up.

The winner for Szeth was Michael Rosenbaum, who you may remember played Lex Luthor in Smallville back in the day. He’s 44, which puts him at right around the right age group for Szeth, and we know he can pull off the bald look! Not only this, but in his part as Lex he did a wonderful job oscillating between the sympathetic and the villainous.

aaron-paul-szethThe runner-up for Szeth was Aaron Paul, of Breaking Bad fame. If there’s one thing we know Aaron can pull off, it’s regret and tragic angst. His acting in the last few seasons of Breaking Bad was a tour de force, and we believe that he can very effectively pull off Szeth’s gradual descent into insanity. He’s 37, which is perfect for Szeth, and possesses a certain youthfulness (when he’s not spouting obscenities as Jesse, anyways). Other than Breaking Bad his roles have been relatively small, but we’re confident that he can pull this one off. He’s got a slight advantage in that he is a little shorter than Michael (5’8” to Michael’s 6’0”), but since neither is quite as short as Szeth is described as being, this isn’t a deal-breaker for either actor.

 

Hoid – Tom Hiddleston

tom-hiddleston-hoidOn to Hoid, because of course we had to discuss everyone’s favorite snarky world-hopper! (For those not in the know, Hoid – aka the King’s Wit – shows up in all of Sanderson’s Cosmere-related novels.) He’s a bit difficult to pin down physically, since his appearance changes from book to book. Hoid is a trickster by nature and uses disguises and magic to conceal or change his appearance, though in The Way of Kings he’s described as tall and thin with black hair. We have no way of knowing if he has the epicanthic fold to his eyes – as a foreigner to Roshar he probably would not, but since none of the characters make any mention of his eyes, he may have changed his appearance to look more Alethi. We chose to widen our casting net to include all nationalities for Hoid, and as such, one choice rose naturally to the top as a unanimous decision.

Who better to play a devious, charming-yet-snarky trickster than Tom Hiddleston? He’s a big name, yes, but Hoid would be a minor part (maybe ten minutes of screen time) over the course of The Way of Kings. A cameo certainly wouldn’t be out of the realm of possibility, and none of the other choices we came up with held a candle to him. Tom’s popularity skyrocketed with his portrayal of Loki in the Marvel films (Thor, Avengers, etc) and it is this role which caught our eye for Hoid. As Loki, he’s portrayed a huge range of emotions: devious, joking, smarmy, serious, tortured, snarky, charming, loving. We’d choose Tom Hiddleston if for no other reason than to see him eventually deliver Hoid’s line “If I have to watch this world crumble and burn to get what I need, I will do so.”

 

Sylphrena – Evanna Lynch

evanna-lynch-sylLast but certainly not least of the primary cast is Sylphrena (aka Syl), Kaladin’s spren friend. Spren are the manifestations of emotions and elements in Roshar, and Syl – unusual for her kind – displays intelligence and can speak. She is described as a tiny (about 5”to 10” tall) young woman with an angular face and long flowing hair. She is usually entirely white with bluish tints, and glows. She can change her shape at will and sometimes appears as a glowing ribbon of light swirling in the air.

Syl’s apparent age is never addressed, so our choices ranged from 12 all the way up to mid-20s. We initially skewed a little younger, mostly because Syl’s personality is very childish and immature, but our final choice wound up being older than we expected. Once again we had a clear winner: Evanna Lynch, who played Luna Lovegood in the Harry Potter series. She’s young (25) but not too young, and her part in Harry Potter is very close to Syl’s personality. She’s a little flighty, a bit eccentric, but can also be serious and endearing when she chooses to. Above all, we think she can pull off the airy silliness that is so central to Syl’s character.

 

Phew! Now that all of the main characters are taken care of, we have a few choices for secondary characters as well. We’re only submitting our choices here if we were unanimous in our estimation that these actors or actresses were perfect for their respective roles (with one exception, which I will save for last)…

 

Torol Sadeas – Oliver Platt

oliver-platt-torol

Sadeas is described as having a bulbous head with curly hair and ruddy cheeks. He’s the type of character that you just love to hate, and Oliver portrayed this type of character perfectly in his part in The Three Musketeers.

 

 

Sigzil – Don Cheadle

don-cheadle-sigzil

We know that Sigzil has dark skin and black hair. He is one of Kaladin’s fellow bridgemen, and used to be a Worldsinger. Cheadle is a lauded actor that could definitely bring the right feel to the character – plus we loved him in as Rhodey/War Machine in the Marvel films.

 

 

Teft – Liam Cunningham

liam-cunningham-teft

Teft is the older Bridgeman who begins to serve as Kaladin’s second-in-command. He has military experience and is described as “long past his 20s” with salt and pepper hair and a neat, short, and square beard. Liam’s role as Davos Seaworth in Game of Thrones is so close to Teft that it’s almost uncanny (especially as of the last season), not to mention the physical similarities. A grizzled older man serving as a confidant and advisor to a younger, battle-hardened commander? Add in the fact that he’s got some sort of tragic backstory that haunts him? Yep, sign Liam Cunningham up immediately, please.

 

Amaram – Ian Anthony Dale

ian-anthony-dale-amaram

Amaram is Kaladin’s old commander, and would be showing up in flashbacks over the course of The Way of Kings. He’s a battle-hardened commander described as tall and imposing, and the actor who portrays him will need to come across as likable . . . at first. We determined that Ian absolutely has the right look for Amaram.

 

 

Lopen – Pedro Pascal

pedro-pascal-lopen

Ah, Pedro. He won over everyone’s hearts with his (ahem) eye-opening role as Oberyn Martell in Game of Thrones, and he’s our overwhelming choice for Lopen, Kaladin’s one-armed bridgeman friend with the incorrigible sense of humor. Pedro’s certainly got the charm to pull this one off, not to mention the fact that he’s from Chile, which is right next door to Sanderson’s stated influence for Lopen’s nationality/country of origin, Bolivia.

 

Taravangian – George Takei

george-takei-taravangian

Oh myyyyy. This was a fun choice for us, and only partially because we all adore “Uncle George.” Taravangian is described as an elderly man with a wispy white beard and a kindly face. He’s the king of the country in which Shallan finds herself in The Way of Kings, but the character takes some . . . interesting turns in later installments. We’d love to see George’s take on this character; he’s certain got the “kindly face” for it, and we’d love to see him stretch his acting muscles in a serious role.

 

Gaz – Mark Shepperd

mark-shepperd-gaz

Mark’s a well-known face in fandom, having been in everything from White Collar to Supernatural to Firefly to Doctor Who to Battlestar Galactica. He plays lovably villainous characters with an enthusiastic flair (we’re looking at you, Crowley) and would be a fabulous choice for Gaz. Kaladin’s slave-master in The Way of Kings is short, with one missing eye and a scraggly beard, all of which Mark could absolutely pull off with the right makeup artists. Gaz is one of those characters you love to hate, like Sadeas, and Mark’s wry humor would be a welcome addition to the cast.

 

Navani Kholin – Lucy Liu

lucy-liu-navani

Our final unanimous choice, Lucy Liu not only looks the part (Navani is older, closer to Dalinar’s age) but also has both the queenly gravitas and the “I don’t give a s*** what you think” attitude that anyone who intends to play Navani desperately needs. Her role in Elementary proves that she can certainly get across the message that “I’m here to do what I need to do and I don’t care if it makes you uncomfortable.”

 

Rock – Dave Bautista

dave-bautista-rock

While this choice was not unanimous, Ted and Joel felt so strongly about it that we decided to include it anyway! (The rest of us were simply “eh” on it, not violently opposed.) Rock, whose real name is . . . practically unpronounceable, is another one of Kaladin’s bridge crew and the erstwhile chef for Bridge Crew 4. He’s a big man with a low, rumbling voice (at least if you consider the audiobook canon) and a healthy sense of humor. Ted and Joel feel that Dave is a particularly good choice for Rock based on a few factors: first of all, his physical appearance—Dave Bautista is a Pacific Islander, which Rock’s people are described as being similar to, and he’s 6’4”. They were also very impressed with Dave’s portrayal of Drax in Marvel’s Guardians of the Galaxy, a role that demands a similar cadence and sense of comedic timing.

 

How’d we do? Do you agree? Vehemently disagree? Have some people to suggest that we might have missed? Let us know in the comments!

Contributors to this article (part of the Sanderson beta reading team): Ted Herman, Nikki Ramsay, Jory Michael Phillips, Joel D. Phillips, Ross Newberry, Trae Cooper, Gary Singer, and Mark Lindberg.

Alice Arneson is a Sanderson beta reader and regular Tor blogger, currently in the early stages of rereading Warbreaker. Lyndsey Luther is also a Sanderson beta reader, as well as a fire performer, cosplayer, and moderator over on the Stormlight Archive subreddit. You can find her Celtic-inspired fairy-tale novelette “One Last Moment of Silence” on Amazon.

A New Stormlight Archive Story. Arcanum Unbounded: “Edgedancer”, Chapters 1-3

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Arcanum Unbounded

Brandon Sanderson’s “cinematic universe” stands revealed on November 22nd in Arcanum Unbounded: The Cosmere Collection. The book contains original short stories centered on the many different fantasy worlds that we now know exist within a single “Cosmere“. All of these stories have been previously available in a variety of formats….

Except for one.

Tor.com is happy to present the first three chapters of “Edgedancer,” a brand new novella from Brandon Sanderson’s epic Stormlight Archive saga! Step back into a world of spren, Voidbringers, and heroes, and be sure to read the full novella in ARCANUM UNBOUNDED, available on November 22nd from Tor Books.

More excerpts and news regarding Arcanum Unbounded and Brandon Sanderson can be found here.

 

edgedancer-chap1

Lift prepared to be awesome.

She sprinted across an open field in northern Tashikk, a little more than a week’s travel from Azimir. The place was overgrown with brown grass a foot or two high. The occasional trees were tall and twisty, with trunks that looked like they were made of interwoven vines, and branches that pointed upward more than out.

They had some official name, but every one she knew called them drop-deads because of their springy roots. In a storm, they’d fall over flat and just lie there. Afterward they’d pop back up, like a rude gesture made at the passing winds.

Lift’s run startled a group of axehinds who had been grazing nearby; the lean creatures leaped away on four legs with the two front claws pulled in close to the body. Good eating, those beasties. Barely any shell on them. But for once, Lift wasn’t in the mood to eat.

She was on the run.

“Mistress!” Wyndle, her pet Voidbringer, called. He took the shape of a vine, growing along the ground beside her at superfast speed, matching her pace. He didn’t have a face at the moment, but could speak anyway. Unfortunately.

“Mistress,” he pled, “can’t we please just go back?”

Nope.

Lift became awesome. She drew on the stuff inside of her, the stuff that made her glow. She Slicked the soles of her feet with it, and leaped into a skid.

Suddenly, the ground didn’t rub against her at all. She slid as if on ice,whipping through the field. Grass startled all around her, curling as it yanked down into stone burrows. That made it bow before her in a wave.

She zipped along, wind pushing back her long black hair, tugging at the loose overshirt she wore atop her tighter brown undershirt, which was tucked into her loose-cuff ed trousers.

She slid, and felt free. Just her and the wind. A small windspren, like a white ribbon in the air, started to follow her.

Then she hit a rock.

The stupid rock held firm—it was held in place by little tufts of moss that grew on the ground and stuck to things like stones, holding them down as shelter against the wind. Lift’s foot flashed with pain and she tumbled in the air, then hit the stone ground face-first.

Reflexively, she made her face awesome—so she kept right on going, skidding on her cheek until she hit a tree. She stopped there, finally.

The tree slowly fell over, playing dead. It hit the ground with a shivering sound of leaves and branches.

Lift sat up, rubbing her face. She’d cut her foot, but her awesomeness plugged up the hole, healing it plenty quick. Her face didn’t even hurt much. When a part of her was awesome, it didn’t rub on what it touched, it just kind of… glided.

She still felt stupid.

“Mistress,” Wyndle said, curling up to her. His vine looked like the type fancy people would grow on their buildings to hide up parts that didn’t look rich enough. Except he had bits of crystal growing out of him along the vine’s length. They jutted out unexpectedly, like toenails on a face.

When he moved, he didn’t wiggle like an eel. He actually grew, leaving a long trail of vines behind him that would soon crystallize and decay into dust. Voidbringers were strange.

He wound around himself in a circle, like rope coiling, and formed a small tower of vines. And then something grew from the top: a face that formed out of vines, leaves, and gemstones. The mouth worked as he spoke.

“Oh, mistress,” he said. “Can’t we stop playing out here, please? We need to get back to Azimir!”

“Go back?” Lift stood up. “We just escaped that place!”

“Escaped! The palace? Mistress, you were an honored guest of the emperor! You had everything you wanted, as much food, as much—”

“All lies,” she declared, hands on hips. “To keep me from noticin’ the truth. They was going to eat me.”

Wyndle stammered. He wasn’t so frightening, for a Voidbringer. He must have been like… the Voidbringer all the other ones made fun of for wearing silly hats. The one that would correct all the others, and explain which fork they had to use when they sat down to consume human souls.

“Mistress,” Wyndle said. “Humans do not eat other humans. You were a guest!”

“Yeah, but why? They gave me too much stuff .”

“You saved the emperor’s life!”

“That should’ve been good for a few days of freeloading,” she said. “Ionce pulled a guy out of prison, and he gave me five whole days in his den for free, and a nice handkerchief too. That was generous. The Azish letting me stay as long as I wanted?” She shook her head. “They wanted something. Only explanation. They was going to starvin’ eat me.”

“But—”

Lift started running again. The cold stone, perforated by grass burrows, felt good on her toes and feet. No shoes. What good were shoes? In the palace, they’d started offering her heaps of shoes. And nice clothing—big, comfy coats and robes. Clothing you could get lost in. She’d liked wearing something soft for once.

Then they’d started asking. Why not take some lessons, and learn to read? They were grateful for what she’d done for Gawx, who was now Prime Aqasix, a fancy title for their ruler. Because of her service, she could have tutors, they said. She could learn how to wear those clothes properly, learn how to write.

It had started to consume her. If she’d stayed, how long would it have been before she wasn’t Lift anymore? How long until she’d have been gobbled up, another girl left in her place? Similar face, but at the same time all new?

She tried using her awesomeness again. In the palace, they had talked about the recovery of ancient powers. Knights Radiant. The binding of Surges, natural forces.

I will remember those who have been forgotten.

Lift Slicked herself with power, then skidded across the ground a few feet before tumbling and rolling through the grass.

She pounded her fist on the stones. Stupid ground. Stupid awesomeness. How was she supposed to stay standing, when her feet were slipperier than if they’d been coated in oil? She should just go back to paddling around on her knees. It was so much easier. She could balance that way, and use her hands to steer. Like a little crab, scooting around this way and that.

They were elegant things of beauty, Darkness had said. They could ride the thinnest rope, dance across rooftops, move like a ribbon on the wind.…

Darkness, the shadow of a man who had chased her, had said those things in the palace, speaking of those who had— long ago—used powers like Lift’s. Maybe he’d been lying. After all, he’d been preparing to murder her at the time.

Then again, why lie? He’d treated her derisively, as if she were nothing. Worthless.

She set her jaw and stood up. Wyndle was still talking, but she ignored him, instead taking off across the deserted field, running as fast as she could, startling grass. She reached the top of a small hill, then jumped and coated her feet with power.

She started slipping immediately. The air. The air she pushed against when moving was holding her back. Lift hissed, then coated her entire self in power.

She sliced through the wind, turning sideways as she skidded down the side of the hill. Air slid off her, as if it couldn’t find her. Even the sunlight seemed to melt off her skin. She was between places, here but not. No air, no ground. Just pure motion, so fast that she reached grass before it had time to pull away. It flowed around her, its touch brushed aside by her power.

Her skin started to glow, tendrils of smoky light rising from her. She laughed, reaching the bottom of the small hill. There she leaped some boulders.

And ran face-first into another tree.

The bubble of power around her popped. The tree toppled over—and,for good measure, the two next to it decided to fall as well. Perhaps they thought they were missing out on something.

Wyndle found her grinning like a fool, staring up at the sun, spread out on the tree trunk with her arms interwoven with the branches, a single golden gloryspren—shaped like an orb—circling above her.

“Mistress?” he said. “Oh, mistress. You were happy in the palace. I saw it in you!”

She didn’t reply.

“And the emperor,” Wyndle continued. “He’ll miss you! You didn’t even tell him you were going!”

“I left him a note.”

“A note? You learned to write?”

“Storms, no. I ate his dinner. Right out from under the tray cover while they was preparing to bring it to him. Gawx’ll know what that means.”

“I find that doubtful, mistress.”

She climbed up from the fallen tree and stretched, then blew her hair out of her eyes. Maybe she could dance across rooftops, ride on ropes, or… what was it? Make wind? Yeah, she could do that one for sure. She hopped off the tree and continued walking through the field.

Unfortunately, her stomach had a few things to say about how much awesomeness she’d used. She ran on food, even more than most folks. She could draw some awesomeness from everything she ate, but once it was gone, she couldn’t do anything incredible again until she’d had more to eat.

Her stomach rumbled in complaint. She liked to imagine that it was cussing at her something awful, and she searched through her pockets. She’d run out of the food in her pack—she’d taken a lot— this morning. But hadn’t she found a sausage in the bottom before tossing the pack?

Oh, right. She’d eaten that while watching those riverspren a few hours ago. She dug in her pockets anyway, but only came out with a handkerchief that she’d used to wrap up a big stack of flatbread before stuffing it in her pack. She shoved part of the handkerchief into her mouth and started chewing.

“Mistress?” Wyndle asked.

“Mie hab crubs onnit,” she said around the handkerchief.

“You shouldn’t have been Surgebinding so much!” He wound along on the ground beside her, leaving a trail of vines and crystals. “And we should have stayed in the palace. Oh, how did this happen to me? I should be gardening right now. I had the most magnificent chairs.”

“Shars?” Lift asked, pausing.

“Yes, chairs.” Wyndle wound up in a coil beside her, forming a face that tilted toward her at an angle off the top of the coil. “While in Shadesmar, I had collected the most magnificent selection of the souls of chairs from your side! I cultivated them, grew them into grand crystals. I had some Winstels, a nice Shober, quite the collection of spoonbacks, even a throne or two!”

“Yu gurdened shars?”

“Of course I gardened chairs,” Wyndle said. His ribbon of vine leaped off the coil and followed her as she started walking again. “What else would I garden?”

“Fwants.”

“Plants? Well, we have them in Shadesmar, but I’m no pedestrian gardener. I’m an artist! Why, I was planning an entire exhibition of sofas when the Ring chose me for this atrocious duty.”

“Smufld gramitch mragnifude.”

“Would you take that out of your mouth?” Wyndle snapped.

Lift did so.

Wyndle huffed. How a little vine thing huffed, Lift didn’t know. But he did it all the time. “Now, what were you trying to say?”

“Gibberish,” Lift said. “I just wanted to see how you’d respond.” She stuffed the other side of the handkerchief into her mouth and started sucking on it.

They continued on with a sigh from Wyndle, who muttered about gardening and his pathetic life. He certainly was a strange Voidbringer. Come to think of it, she’d never seen him act the least bit interested in consuming someone’s soul. Maybe he was a vegetarian?

They passed through a small forest, really just a corpse of trees, which was a strange term, since she never seemed to find any bodies in them. These weren’t even drop-deads; those tended to grow in small patches, but each apart from the others. These had branches that wound around one another as they grew, dense and intertwined to face the highstorms.

That was basically the way to do it, right? Every one else, they wound their branches together. Braced themselves. But Lift, she was a drop-dead. Don’t intertwine, don’t get caught up. Go your own way.

Yes, that was definitely how she was. That was why she’d had to leave the palace, obviously. You couldn’t live your life getting up and seeing the same things every day. You had to keep moving, otherwise people started to know who you were, and then they started to expect things from you. It was one step from there to being gobbled up.

She stopped right inside the trees, standing on a pathway that someone had cut and kept maintained. She looked backward, northward, toward Azir.

“Is this about what happened to you?” Wyndle asked. “I don’t know a lot about humans, but I believe it was natural, disconcerting though it might appear. You aren’t wounded.”

Lift shaded her eyes. The wrong things were changing. She was supposed to stay the same, and the world was supposed to change around her. She’d asked for that, hadn’t she?

Had she been lied to?

“Are we… going back?” Wyndle asked, hopeful.

“No,” Lift said. “Just saying goodbye.” Lift shoved her hands in her pockets and turned around before continuing through the trees.

 


edgedancer-chap2

Yeddaw was one of those cities Lift had always meant to visit. It was in Tashikk, a strange place even compared to Azir. She’d always found everyone here too polite and reserved. They also wore clothing that made them hard to read.

But everyone said that you had to see Yeddaw. It was the closest you could get to seeing Sesemalex Dar—and considering that place had been a war zone for basically a billion years, she wasn’t likely to ever get there.

Standing with hands on hips, looking down at the city of Yeddaw, she found herself agreeing with what people said. This was a sight. The Azish liked to consider themselves grand, but they only plastered bronze or gold or something over all their buildings and pretended that was enough. What good did that do? It just reflected her own face at her, and she’d seen that too often to be impressed by it.

No, this was impressive. A majestic city cut out of the starvin’ ground.

She’d heard some of the fancy scribes in Azir talk about it— they said it was a new city, created only a hunnerd years back by hiring the Imperial Shardblades out of Azir. Those didn’t spend much time at war, but were instead used for making mines or cutting up rocks and stuff . Very practical. Like using the royal throne as a stool to reach something on the high shelf.

She really shouldn’t have gotten yelled at for that.

Anyway, they’d used those Shardblades here. This had once been a large, flat plain. Her vantage on a hilltop, though, let her make out hundreds of trenches cut in the stone. They interconnected, like a huge maze. Some of the trenches were wider than others, and they made a vague spiral toward the center, where a large moundlike building was the only part of the city that peeked up over the surface of the plain.

Above, in the spaces between trenches, people worked fields. There were virtually no structures up there; everything was down below. People lived in those trenches, which seemed to be two or three stories deep. How did they avoid being washed away in highstorms? True, they’d cut large channels leading out from the city—ones nobody seemed to live in, so the water could escape. Still didn’t seem safe, but it was pretty cool.

She could hide really well in there. That was why she’d come, after all. To hide. Nothing else. No other reason.

The city didn’t have walls, but it did have a number of guard towers spaced around it. Her pathway led down from the hills and joined with a larger road, which eventually stopped in a line of people awaiting permission to get into the city.

“How on Roshar did they manage to cut away so much rock!” Wyndle said, forming a pile of vines beside her, a twisting column that took him high enough to be by her waist, face tilted toward the city.

“Shardblades,” Lift said.

“Oh. Ooooh. Those.” He shifted uncomfortably, vines writhing and twisting about one another with a scrunching sound. “Yes. Those.”

She folded her arms. “I should get me one of those, eh?”

Wyndle, strangely, groaned loudly.

“I figure,” she explained, “that Darkness has one, right? He fought with one when he was trying to kill me and Gawx. So I ought to find one.”

“Yes,” Wyndle said, “you should do just that! Let us pop over to the market and pick up a legendary, all-powerful weapon of myth and lore, worth more than many kingdoms! I hear they sell them in bushels, following spring weather in the east.”

“Shut it, Voidbringer.” She eyed his tangle of a face. “You know something about Shardblades, don’t you?”

The vines seemed to wilt.

“You do. Out with it. What do you know?”

He shook his vine head.

“Tell me,” Lift warned.

“It’s forbidden. You must discover it on your own.”

“That’s what I’m doing. I’m discovering it. From you. Tell me, or I’ll bite you.”

What?

“I’ll bite you,” she said. “I’ll gnaw on you, Voidbringer. You’re a vine, right? I eat plants. Sometimes.”

“Even assuming my crystals wouldn’t break your teeth,” Wyndle said, “my mass would give you no sustenance. It would break down into dust.”

“It’s not about sustenance. It’s about torture.”

Wyndle, surprisingly, met her expression with his strange eyes grown from crystals. “Honestly, mistress, I don’t think you have it in you.”

She growled at him, and he wilted further, but didn’t tell her the secret. Well, storms. It was good to see him have a backbone… or,well, the plant equivalent, whatever that was. Backbark?

“You’re supposed to obey me,” she said, shoving her hands in her pockets and heading along the path toward the city. “You ain’t following the rules.”

“I am indeed,” he said with a huff . “You just don’t know them. And I’ll have you know that I am a gardener, and not a soldier, so I’ll not have you hitting people with me.”

She stopped. “Why would I hit anyone with you?”

He wilted so far, he was practically shriveled.

Lift sighed, then continued on her way, Wyndle following. They merged with the larger road, turning toward the tower that was a gateway into the city.

“So,” Wyndle said as they passed a chull cart, “this is where we were going all along? This city cut into the ground?”

Lift nodded.

“You could have told me,” Wyndle said. “I’ve been worried we’d be caught outside in a storm!”

“Why? It ain’t raining anymore.” The Weeping, oddly, had stopped. Then started again. Then stopped again. It was acting downright strange,like regular weather, rather than the long, long mild highstorm it was supposed to be.

“I don’t know,” Wyndle said. “Something is wrong, mistress. Something in the world. I can feel it. Did you hear what the Alethi king wrote to the emperor?”

“About a new storm coming?” Lift said. “One that blows the wrong way?”

“Yes.”

“The noodles all called that silly.”

“Noodles?”

“The people who hang around Gawx, talking to him all the time, telling him what to do and trying to get me to wear a robe.”

“The viziers of Azir. Head clerks of the empire and advisors to the Prime!”

“Yeah. Wavy arms and blubbering features. Noodles. Anyway, they thought that angry guy—”

“—Highprince Dalinar Kholin, de facto king of Alethkar and most powerful warlord in the world right now—”

“—was makin’ stuff up.”

“Maybe. But don’t you feel something? Out there? Building?”

“A distant thunder,” Lift whispered, looking westward, past the city, toward the far-off mountains. “Or… or the way you feel after someone drops a pan, and you see it falling, and get ready for the clatter it will make when it hits.”

“So you do feel it.”

“Maybe,” Lift said. The chull cart rolled past. Nobody paid any attention to her—they never did. And nobody could see Wyndle but her, because she was special. “Don’t your Voidbringer friends know about this?”

“We’re not… Lift, we’re spren, but my kind—cultivationspren—are not very important. We don’t have a kingdom, or even cities, of our own. We only moved to bond with you because the Cryptics and the honorspren and everyone were starting to move. Oh, we’ve jumped right into the sea of glass feet-first, but we barely know what we’re doing!Everyone who had any idea of how to accomplish all this died centuries ago!”

He grew along the road beside her as they followed the chull cart, which rattled and shook as it bounced down the roadway.

“Everything is wrong, and nothing makes sense,” Wyndle continued. “Bonding to you was supposed to be more difficult than it was, I gather. Memories come to me fuzzily sometimes, but I do remember more and more. I didn’t go through the trauma we all thought I’d endure. That might be because of your… unique circumstances. But mistress, listen to me when I say something big is coming. This was the wrong time to leave Azir. We were secure there. We’ll need security.”

“There isn’t time to get back.”

“No. There probably isn’t. At least we have shelter ahead.”

“Yeah. Assuming Darkness doesn’t kill us.”

“Darkness? The Skybreaker who attacked you in the palace and came very close to murdering you?”

“Yeah,” Lift said. “He’s in the city. Didn’t you hear me complaining that I needed a Shardblade?”

“In the city… in Yeddaw, where we’re going right now?

“Yup. The noodles have people watching for reports of him. A note came in right before we left, saying he’d been spotted in Yeddaw.”

“Wait.” Wyndle zipped forward, leaving a trail of vines and crystal behind. He grew up the back of the chull cart, curling onto its wood right in front of her. He made a face there, looking at her. “Is that why we left all of a sudden? Is that why we’re here? Did you come chasing that monster?”

“Course not,” Lift said, hands in her pockets. “That would be stupid.”

“Which you are not.”

“Nope.”

“Then why are we here?”

“They got these pancakes here,” she said, “with things cooked into them. Supposed to be super tasty, and they eat them during the Weeping. Ten varieties. I’m gonna steal one of each.”

“You came all this way, leaving behind luxury, to eat some pancakes.”

“Really awesome pancakes.”

“Despite the fact that a deific Shardbearer is here—a man who went to great lengths to try to execute you.”

“He wanted to stop me from using my powers,” Lift said. “He’s been seen other places. The noodles looked into it; they’re fascinated by him. Everyone pays attention to that bald guy who collects the heads of kings, but this guy has been murdering his way across Roshar too. Little people. Quiet people.”

“And we came here why?”

She shrugged. “Seemed like as good a place as any.”

He let himself slide off the back of the cart. “As a point of fact, it most expressly is not as good a place as any. It is demonstrably worse for—”

“You sure I can’t eat you?” she asked. “That would be super convenient. You got lots of extra vines. Maybe I could nibble on a few of those.”

“I assure you, mistress, that you would find the experience thoroughly unappealing.”

She grunted, stomach growling. Hungerspren appeared, like little brown specks with wings, floating around her. That wasn’t odd. Many of the folks in line had attracted them.

“I got two powers,” Lift said. “I can slide around, awesome, and I can make stuff grow. So I could grow me some plants to eat?”

“It would almost certainly take more energy in Stormlight to grow the plants than the sustenance would provide, as determined by the laws of the universe. And before you say anything, these are laws that even you cannot ignore.” He paused. “I think. Who knows, when you’re involved?”

“I’m special,” Lift said, stopping as they finally reached the line of people waiting to get into the city. “Also, hungry. More hungry than special, right now.”

She poked her head out of the line. Several guards stood at the ramp down into the city, along with some scribes wearing the odd Tashikki clothing. It was this loooong piece of cloth that they wrapped around themselves, feet to forehead. For being a single sheet, it was really complex: it wound around both legs and arms individually, but also wrapped back around the waist sometimes to create a kind of skirt. Both the men and the women wore the cloths, though not the guards.

They sure were taking their time letting people in. And there sure were a lot of people waiting. Everyone here was Makabaki, with dark eyes and skin—darker than Lift’s brownish tan. And a lot of those waiting were families, wearing normal Azish-style clothing. Trousers, dirty skirts, some with patterns. They buzzed with exhaustionspren and hungerspren, enough to be distracting.

She’d have expected mostly merchants, not families, to be waiting here. Who were all these people?

Her stomach growled.

“Mistress?” Wyndle asked.

“Hush,” she said. “Too hungry to talk.”

“Are you—”

“Hungry? Yes. So shut up.”

“But—”

“I bet those guards have food. People always feed guards. They can’t properly hit folks on the head if they’re starvin’. That’s a fact.”

“Or, to offer a counterproposal, you could simply buy some food with the spheres the emperor allotted you.”

“Didn’t bring them.”

“You didn’t… you didn’t bring the money?”

“Ditched it when you weren’t looking. Can’t get robbed if you don’t have money. Carrying spheres is just asking for trouble. Besides.” She narrowed her eyes, watching the guards. “Only fancy people have money like that. We normal folk, we have to get by some other way.”

“So now you’re normal.”

“Course I am,” she said. “It’s every one else that’s weird.”

Before he could reply, she ducked underneath the chull wagon and started sneaking toward the front of the line.

 


edgedancer-chap3

“Tallew, you say?” Hauka asked, holding up the tarp covering the suspicious pile of grain. “From Azir?”

“Yes, of course, officer.” The man sitting on the front of the wagon squirmed. “Just a humble farmer.”

With no calluses, Hauka thought. A humble farmer who can afford fine Liaforan boots and a silk belt. Hauka took her spear and started shoving it into the grain, blunt end first. She didn’t run across any contraband, orany refugees, hidden in the grain. So that was a first.

“I need to get your papers notarized,” she said. “Pull your cart over to the side here.”

The man grumbled but obeyed, turning his cart and starting to back the chull into the spot beside the guard post. It was one of the only buildings erected here above the city, along with a few towers spaced where they could lob arrows at anyone trying to use the ramps or set up position to siege.

The farmer with the wagon backed his cart in very, very carefully—as they were near the ledge overlooking the city. Immigrant quarter. Rich people didn’t enter here, only the ones without papers. Or the ones who hoped to avoid scrutiny.

Hauka rolled up the man’s credentials and walked past the guard post. Scents wafted out of that; lunch was being set up, which meant the people in line had an even longer wait ahead of them. An old scribe satin a seat near the front of the guard post. Nissiqqan liked to be out in the sun.

Hauka bowed to him; Nissiqqan was the deputy scribe of immigration on duty for today. The older man was wrapped head-to-toe in a yellow shiqua, though he’d pulled the face portion down to expose a furrowed face with a cleft chin. They were in home lands, and the need to cover up before Nun Raylisi— the enemy of their god—was minimal. Tashi supposedly protected them here.

Hauka herself wore a breastplate, cap, trousers, and a cloak with her family and studies pattern on them. The locals accepted an Azish like her with ease—Tashikk didn’t have much in the way of its own soldiers, and her credentials of achievement were certified by an Azimir vizier. She could have gotten a similar officer’s job with the local guard anywhere in the greater Makabaki region, though her credentials did make clear she wasn’t certified for battlefield command.

“Captain?” Nissiqqan said, adjusting his spectacles and looking at the farmer’s credentials as she proffered them. “Is he refusing to pay the tariff ?”

“Tariff is fine and in the strongbox,” Hauka said. “I’m suspicious though. That man’s no farmer.”

“Smuggling refugees?”

“Checked in the grain and under the cart,” Hauka said, looking over her shoulder. The man was all smiles. “It’s new grain. A little overripe, but edible.”

“Then the city will be glad to have it.”

He was right. The war between Emul and Tukar was heating up. Granted, every one was always saying that. But things had changed over the last few years. That god-king of the Tukari… there were all sorts of wild rumors about him.

“That’s it!” Hauka said. “Your Grace, I’ll bet that man has been in Emul. He’s been raiding their fields while all the able-bodied men are fighting the invasion.”

Nissiqqan nodded in agreement, rubbing his chin. Then he dug through his folder. “Tax him as a smuggler and as a fence. I believe… yes, that will work. Triple tariff. I’ll earmark the extra tariffs to be diverted to feeding refugees, per referendum three-seventy-one-sha.”

“Thanks,” Hauka said, relaxing and taking the forms. Say what you would of the strange clothing and religion of the Tashikki, they certainly did know how to draft solid civil ordinances.

“I have spheres for you,” Nissiqqan noted. “I know you’ve been asking for infused ones.”

“Really!” Hauka said.

“My cousin had some out in his sphere cage—pure luck that he’d forgotten them—when that unpredicted highstorm blew through.”

“Excellent,” Hauka said. “I’ll trade you for them later.” She had some information that Nissiqqan would be very interested in. They used that as currency here in Tashikk, as much as they did spheres.

And storms, some lit spheres would be nice. After the Weeping, most people didn’t have any, which could be storming inconvenient—as open flame was forbidden in the city. So she couldn’t do any reading at night unless she found some infused spheres.

She walked back to the smuggler, flipping through forms. “We’ll need you to pay this tariff,” she said, handing him a form. “And then this one too.”

“A fencing permit!” the man exclaimed. “And smuggling! This is thievery!”

“Yes, I believe it is. Or was.”

“You can’t prove such allegations,” he said, slapping the forms with his hand.

“Sure,” she said. “If I could prove that you crossed the border into Emul illegally, robbed the fields of good hardworking people while they were distracted by the fighting, then carted it here without proper permits, I’d simply seize the whole thing.” She leaned in. “You’re getting off easily. We both know it.”

He met her eyes, then looked nervously away and started filling out the forms. Good. No trouble today. She liked it when there was no trouble. It—

Hauka stopped. The tarp on the man’s wagon was rustling. Frowning, Hauka whipped it backward, and found a young girl neck-deep in the grain. She had light brown skin— like she was Reshi, or maybe Herdazian—and was probably eleven or twelve years old. She grinned at Hauka.

She hadn’t been there before.

“This stuff,” the girl said in Azish, mouth full of what appeared to be uncooked grain, “tastes terrible. I guess that’s why we make stuff out of it first.” She swallowed. “Got anything to drink?”

The smuggler stood up on his cart, sputtering and pointing. “She’s ruining my goods! She’s swimming in it! Guard, do something! There’s a dirty refugee in my grain!”

Great. The paperwork on this was going to be a nightmare. “Out of there, child. Do you have parents?”

“Course I do,” the girl said, rolling her eyes. “Everyone’s got parents. Mine’r’dead though.” She cocked her head. “What’s that I smell? That wouldn’t be… pancakes, would it?”

“Sure,” Hauka said, sensing an opportunity. “Sun Day pancakes. You can have one, if you—”

“Thanks!” The girl leaped from the grain, spraying it in all directions, causing the smuggler to cry out. Hauka tried to snatch the child, but somehow the girl wiggled out of her grip. She leaped over Hauka’s hands, then bounded forward.

And landed right on Hauka’s shoulders.

Hauka grunted at the sudden weight of the girl, who jumped off her shoulders and landed behind her.

Hauka spun about, off -balance.“Tashi!” the smuggler said. “She stepped on your storming shoulders, officer.”

“Thank you. Stay here. Don’t move.” Hauka straightened her cap, then dashed after the child, who brushed past Nissiqqan—causing him to drop his folders—and entered into the guard chamber. Good. There weren’t any other ways out of that post. Hauka stumbled up to the doorway, setting aside her spear and taking the club from her belt. She didn’t want to hurt the little refugee, but some intimidation wouldn’t be out of order.

The girl slid across the wooden floor as if it were covered in oil, passing right under the table where several scribes and two of Hauka’s guards were eating. The girl then stood up and knocked the entire thing on its side, startling every one backward and dumping food to the floor.

“Sorry!” the girl called from the mess. “Didn’t mean to do that.” Her head popped up from beside the overturned table, and she had a pancake sticking half out of her mouth. “These aren’t bad.”

Hauka’s men leaped to their feet. Hauka lunged past them, trying to reach around the table to grab the refugee. Her fingers brushed the arm of the girl, who wiggled away again. The child pushed against the floor and slid right between Rez’s legs.

Hauka lunged again, cornering the girl on the side of the guard chamber.

The girl, in turn, reached up and wiggled through the room’s single slotlike window. Hauka gaped. Surely that wasn’t big enough for a person, even a small one, to get through so easily. She pressed herself against the wall, looking out the window. She didn’t see anything at first; then the girl’s head poked down from above—she’d gotten onto the roof somehow.

The girl’s dark hair blew in the breeze. “Hey,” she said. “What kind of pancake was that, anyway? I’ve gotta eat all ten.”

“Get back in here,” Hauka said, reaching through to try to grab the girl. “You haven’t been processed for immigration.”

The girl’s head popped back upward, and her footsteps sounded on the roof. Hauka cursed and scrambled out the front, trailed by her two guards. They searched the roof of the small guard post, but saw nothing.

“She’s back in here!” one of the scribes called from inside.

A moment later, the girl skidded out along the ground, a pancake in each hand and another in her mouth. She passed the guards and scrambled toward the cart with the smuggler, who had climbed down and was ranting about his grain getting soiled.

Hauka leaped to grab the child—and this time managed to get hold of her leg. Unfortunately, her two guards reached for the girl too, and they tripped, falling in a jumbled mess right on top of Hauka.

She hung on though. Puffing from the weight on her back, Hauka clung tightly to the little girl’s leg. She looked up, holding in a groan.

The refugee girl sat on the stone in front of her, head cocked. She stuffed one of the pancakes into her mouth, then reached behind herself, her hand darting toward the hitch where the cart was hooked to its chull. The hitch came undone, the hook popping out as the girl tapped it on the bottom. It didn’t resist a bit.

Oh, storms no.

“Off me!” Hauka screamed, letting go of the girl and pushing free of the men. The stupid smuggler backed away, confused.

The cart rolled toward the ledge behind, and she doubted the wooden fence would keep it from falling. Hauka leaped for the cart in a burst of energy, seizing it by its side. It dragged her along with it, and she had terrible visions of it plummeting down over the ledge into the city, right on top of the refugees of the immigrant quarter.

The cart, however, slowly lurched to a halt. Puffing, Hauka looked up from where she stood, feet pressed against the stones, holding onto the cart. She didn’t dare let go.

The girl was there, on top of the grain again, eating the last pancake. “They really are good.”

“Tuk-cake,” Hauka said, feeling exhausted. “You eat them for prosperity in the year to come.”

“People should eat them all the time then, you know?”

“Maybe.”

The girl nodded, then stood to the side and kicked open the tailgate of the cart. In a rush, the grain slid out of the cart.

It was the strangest thing she’d ever seen. The pile of grain became like liquid, flowing out of the cart even though the incline was shallow. It… well, it glowed softly as it flowed out and rained down into the city.

The girl smiled at Hauka.

Then she jumped off after it.

Hauka gaped as the girl fell after the grain. The two other guards finally woke up enough to come help, and grabbed hold of the cart. The smuggler was screaming, angerspren boiling up around him like pools of blood on the ground.

Below, the grain billowed in the air, sending up dust as it poured into the immigrant quarter. It was rather far down, but Hauka was pretty sure she heard shouts of delight and praise as the food blanketed the people there.

Cart secure, Hauka stepped up to the ledge. The girl was nowhere to be seen. Storms. Had she been some kind of spren? Hauka searched again but saw nothing, though there was this strange black dust at her feet. It blew away in the wind.

“Captain?” Rez asked.

“Take over immigration for the next hour, Rez. I need a break.”

Storms. How on Roshar was she ever going to explain this in a report?

 

 

Find more coverage and excerpts from Arcanum Unbounded here.

Arcanum Unbounded copyright 2016 Dragonsteel Entertainment, LLC

Brandon Sanderson’s Arcanum Unbounded: A Non-Spoiler Review

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Arcanum Unbounded

Brandon Sanderson, the epic fantasy sensation known for putting out tomes thicker than some cookbooks, has now put out a collection of short fiction which is actually just as large as some of his novels. (I’ll give you a moment to let all that sink in.) All play aside though, Arcanum Unbounded represents a first in several capacities. First, this is the never-before-collected of short fiction that Sanderson has written across his story universe, The Cosmere, now all together in one beautifully bound space. Second, and of more excitement, this is the first time we as readers are getting a full glimpse into the wider universe of the Cosmere, complete with star charts, constellations, and planet/realmic notations, with plenty of revelations to keep even the most avid Sanderson fan happy.

All of the stories save one, which we’ll get into toward the end, have been published already in some capacity; either through anthologies, reprinted editions, small presses, gaming extras, or e-book exclusives. However, these Cosmere tales have never been produced in such a beautiful, elegant fashion before, and never all together. Here stands the side stories, the secret tales, and the quiet moments from Brandon’s epic universe. Sure, there’s more from Elantris and Mistborn, as well as excerpts from both the graphic novel and prose version of White Sand, but we can’t forget such originals as the Hugo Award-winning The Emperor’s Soul, “Sixth of the Dusk,” or, “Shadows for Silence in the Forests of Hell.” While pretty well-versed in Sanderson’s work, there were even a few stories here that I had not had a chance to read, so even though most of the contents had been previously available, Arcanum as a whole felt brand new. Each story new and old also comes with a brand new gorgeous illustration from Ben McSweeney, and endpapers by Stormlight Archive/Cosmere series illustrator, Isaac Stewart.

What will interest readers familiar with Sanderson’s work, aside from the new Stormlight Archive novella, are most certainly the new glimpses we get into the connective universe behind all these bits of short fiction: The Cosmere. Indeed, every section of the collection is broken down by the name of the Cosmere planetary system that story takes place within, as well as full-blown star charts, orbits, moons, any anomalies the system may have, as well as a full essay about the system written by our most scholarly and collegiate world-hopper, Khriss. There’s honestly not much I can say about these for fear of spoilers (although there’s an example here for the curious!) except to say that they’re wicked cool, beautifully illustrated, continue to reveal some small measure of Khriss’ character to us, and contain what is most likely, a ton of new information about the Cosmere for us all to deduce. I can say no more, except pay close attention, and don’t forget to check the book’s endpapers.

The biggest draw for the collection, and the story that should push you over the edge if you’re still not sure about picking it up, is the brand new Stormlight Archive novella “Edgedancer,” which picks up where the interludes in Words of Radiance left off, and brings us back to our favorite frictionless radiant Lift and her neurotic spren Wyndle, as they run from the responsibilities in Azir, and try to make their way in the bustling, in-the-ground city of Yeddaw (in the country of Tashikk). Sanderson has stated that “Edgedancer” was the perfect opportunity to explore Lift’s character, and to show more of her journey directly to the reader. Because when she next appears in the Stormlight Archive series, she will be far more advanced in her story than the last time we saw her. “Edgedancer,” in that sense, was a way of filling in the story gap before it became a gap!

While this review will stay spoiler-free, trust me when I say this new novella is worth the purchase alone. Lift, ornery, hungry, a little strange, but noble to a fault, is thrust headlong into a city she doesn’t understand, with abilities she’s still figuring out, and with her worrisome magical chaperone constantly fretting the entire time. Her story delights and worries at the same time, Sanderson effortlessly making you laugh, and then making you feel for her in the same moment. A contradictory kind of character, Lift is always on the verge of turning tail or giving it all up for something easier, and yet something always stops her, and makes her head into the fray. And when her time in Tashikk turns up a certain adversary of hers, she and Wyndle dive headfirst, hoping to stop something dreadful from happening. Sanderson not only reveals new aspects of Lift and Wyndle, but also the world, and the strange things that live there, and the odd way it can operate. While only hinted at here and there, Sanderson does what he does best here, in that he only gives glimpses and brief flashes of insight to other goings on in the world, before veering back to the main plot. And while it resolves in a satisfying way, there are certainly more questions than answers. But that’s okay. As long as we have Lift and Wyndle causing mayhem across Roshar like they do in “Edgedancer,” then I’m fine with that.

If you’re a fan of Brandon Sanderson, Arcanum Unbounded is a no-brainer. The planetary maps, the new stories, the artwork, the essays, it’s all there, and will be sure to delight. And if you’re new to Sanderson and his sprawling epic, then this is the sure-fire way to get yourself into a cool, beautiful universe of magic, possibility, heroes, villains, and a deep, well-thought out story, a story which is now beginning to connect planet to planet. The Cosmere first arrived with the publication of Elantris, a little over ten years ago, and now it’s finally beginning to spill out and over, with the threads between planets and magic systems growing stronger with every new story, every new novel. Brandon Sanderson’s Cosmere isn’t going anywhere; in fact, it’s only getting started. You’re not going to want to miss the fireworks when it finally gets going, and Arcanum Unbounded gets you in on the ground floor.

Martin Cahill is a contributor to Tor.com, as well as Book Riot and Strange Horizons. He has fiction forthcoming at Beneath Ceaseless Skies and Fireside Fiction. You can follow his musings on Twitter @McflyCahill90.

Arcanum Unbounded: The Cosmere Collection: Spoiler Review!

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Arcanum Unbounded

O frabjous day! Callooh! Callay! Arcanum Unbounded has hit bookstore shelves, mailboxes, and doorsteps across North America and the U.K.!

This beautiful book – and I do mean beautiful, in so many ways – collects all of Brandon Sanderson’s Cosmere short works to date, plus one new novella, so you want it for All The Reads. It has gorgeous all-new artwork inside and out, along with maps, essays, drawings, and postscripts for each system or story, so you want it for all the new material. In short, it’s a must-have for a Cosmere fan.

Before you click on that enticing cut, please be aware: HERE BE SPOILERS. SPOILERS. SPOILERS! I SAY. This is the spoiler review, and anything contained in the book will be fair game for discussion here and in the comments. Within the book, the cover page for each story contains a warning for any books that would be spoiled by reading the short work first. Here, they will all be spoiled. You have been Warned.

For fans of Sanderson’s many worlds in the Cosmere, most of the stories will be familiar, at least by name. Briefly, the contents include two stories set on Sel; three set on Scadrial; excerpts of both the graphic novel and the original draft of White Sand, set on the planet Taldain; one on the minor world of Threnody; one in the minor Drominad system; and one on Roshar.

All but the last of these have been published before, either in anthologies, as con-special doubles, as stand-alone novellas, or as e-books. Now they’re all collected in one place for your reading (and bookshelfing) pleasure. In their new setting, they’re a sight to see, starting with…

The cover. I love the cover, with its hint of mystery and promise of revelation. I assume the person is Khriss, but we don’t get to see her face; it’s hidden in the shadows of her hood. All we can see clearly is the book, with the new Cosmere symbol on the front. Mysteries still abound, but the book contains Information.

The endpapers. Oh, the endpapers!! Isaac Stewart has gone all out for this book. I’m longing for this poster, which will be available in Brandon’s online store in time for the holidays, I’m told. It will soon be MINE. MINE, I tell you.

Arcanum Unbounded star map partial

The drawings. If you’ve been following Tor’s teasers, you got a look at the new drawing of Shai in her room for The Emperor’s Soul. Each story has its own new drawing, all from Ben McSweeney (IIRC), and they are worth the price of admission all by themselves.

Okay, moving on… Khriss and Nazh have been busy lately; they have given us, respectively, an introduction and a map for each star system mentioned above. Whatever you do, do NOT skip these. They are chock full of things you didn’t know before about the planets, the systems, the magic, the Shards, and even some ancient history of the Shards; if you didn’t do it right away, go read them now. We’ll wait.

Did you ever hear of Silverlight? Mwahahahaha! Silverlight: the Restaurant at the End of the Cosmere.

Seriously, though, we have no solid information on what Silverlight is. A city? A planet? A spaceship? It could be almost anything. All we know is that it has “universities” and “societies,” and expeditions have been sent out from it. There is also an unsubstantiated (AFAIK) rumor that the star chart on the endpapers is as viewed from Silverlight, which I think would be very cool if it proves true.

One more example of the many shiny new things in Khriss’s notes: what happened to Threnody. Casually blowing holes in some otherwise fine theories, she tells us about two continents – one occupied by a creeping darkness, the other a frontier; both the people and the planet have been twisted by an ancient conflict between the Shards Odium and Ambition. While this was not the location of Ambition’s final Splintering, this clash resulted in a mortal wound, and the power loosed in the process did some very, very strange things to the system.

I could spend all day talking about the new material wrapped around the stories, but I’ll restrain myself and let y’all pick your own favorites to discuss in the comments.

The final work, the new Lift novella Edgedancer, is destined to become a favorite for many, I think. It was originally intended to be around 17,000 words, right about the dividing line between a novelette and a novella. However, as he notes in the Postscript, Brandon decided to make use of this opportunity to show a couple of things that would otherwise have to happen off-screen, weaving them together in a single narrative. The result is approximately 40,000 words… which just happens to be right at the dividing line between a novella and a novel. For a Sanderson work, it’s a novella; for many other authors, it would be a full novel. Stormlight Archive 2.5, anyone? Appropriately, the whole thing is a slightly bizarre mixture of intensity and levity, swinging between the two with unexpected but flawlessly executed timing.

These two major events—and I fully agree, it would have been frustrating to the reader to find that they had happened between books—are both part of the climax. The opening isn’t nearly so portentous: it’s just Lift being… well, Lift. Apparently irresponsible and childish, her actions are based on underlying motivations she won’t admit even to herself. She insists she left Azimir because they were trying to “eat” her – trying to give her food, clothing, lessons, trying to turn her into someone else that wasn’t her. So she “escaped,” heading south to Yeddaw, her ostensible goal being to steal pancakes. Yep. That’s Lift.

Of course, the fact that Nale is in Yeddaw is just pure coincidence…

In what feels like a perfectly natural follow-on to Words of Radiance, the story of Edgedancer ties together Lift’s Surgebinding development, interruptions to natural weather patterns, Nalan, Szeth, the Everstorm, a new Ideal, and the unequivocal arrival of a new Desolation. In the process, Wyndle is hilarious: gardening chair-souls? Really? My favorite, hands-down, were his unintentional hints about Shardblades, which Lift didn’t get at all but were totally obvious to the reader. For example, characteristic of the weird combination of tension and humor throughout the novella, this:

Darkness emerged into the storm, rising from the hole in the clifftop. He saw her, then stepped forward, raising his Shardblade like an axe.

He swung.

Lift screamed. She let go of Wyndle’s vines and raised both hands above herself.

Wyndle sighed a long, soft sigh, melting away, transforming into a silvery length of metal.

She met Darkness’s descending Blade with her own weapon. Not a sword. Lift didn’t know crem about swords. Her weapon was just a silvery rod. It glowed in the darkness, and it blocked Darkness’s blow, though his attack left her arms quivering.

Ow, Wyndle’s voice said in her head.

Ow, he says. Oh, Wyndle.

There are so many things I could point out: Lift trying to live up to the image Nalan painted of Edgedancers and their gracefulness. The appearance of our first Dysian Aimian, who is totally creepy. Snippets about other Edgedancers – a reference to Ym, and the new one known as the Stump. The appearance of Szeth and Nightblood—who likes Lift, incidentally—in company with Nalan and a couple of minions. The arrival of the Everstorm, and the transformation of the parshmen.

A new Ideal: I will listen to those who have been ignored.

A Herald in crisis: “Storms. Jezrien … Ishar … It is true. I’ve failed.”

An unexpected response: She hugged Darkness… He clung to her and wept in the storm.

I know, they’re the obvious ones, but they really are my favorite lines. What were yours? Why? Tell me about it in the comments!

Alice Arneson is a SAHM, blogger, long-time Tor commenter, Sanderson beta reader, and literature fan. She keeps thinking about trying her hand at creative writing, but… great story ideas are hard to come by, and there’s always another Sanderson book to read and to write about!

The Most Important Place in Brandon Sanderson’s Books is Named After Jane Yolen

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Arcanum Unbounded Brandon Sanderson cover crop

Brandon Sanderson’s new story collection Arcanum Unbounded made a big reveal: Most of the author’s works take place in a single “Cosmere” universe, and many of those fantasy worlds will crossover in the future!

Readers have yet to see the most important planet in Brandon Sanderson’s Cosmere, however. Somewhere out there is a planet that breeds trouble, that produces scholars, that has seeded many different worlds with many different types of magic. Sanderson has yet to reveal that story, or that planet, but we do know one thing: It’s named after fantasy author Jane Yolen!

Sanderson’s Cosmere contains many worlds that we’ve already seen, from The Stormlight Archive (which takes place on Roshar) to Mistborn (Scadrial) to Elantris (Sel), and more. For the first time, Arcanum Unbounded reveals that all of these worlds have been altered (or at least affected) by individuals hailing from a mysterious advanced world known as Yolen.

Dragon's Blood Jane YolenIn the run-up to Arcanum, Brandon revealed that this planet is indeed named after fantasy author Jane Yolen. It turns out that Yolen’s Pit Dragon Trilogy, specifically the first book Dragon’s Blood, was one of the first books he ever read, and it had a profound inspirational effect on the young Sanderson.

The story of Dragon’s Blood is a mixture of epic fantasy and science fiction. From the series synopsis on Wikipedia:

The books are set in the far future, on a desert planet called Austar IV, which has a history and climate similar to that of Australia. The planet was originally a place where convicts would be exiled. For many generations the outcasts had adapted to their new environment and even formed a functioning society, focusing on a caste system of paid bonders and their owners. The amazing feature of the planet is that it does hold life, but very little, and has one species of dragons.

The concept of science fiction elements giving rise to epic fantasy settings is a concept that Sanderson’s novels explore in tremendous detail. The saga of the Cosmere continues to unfold, so it feels all too appropriate that its inciting planet is named after Yolen. (And that the forthcoming novel that chronicles the most important place in Sanderson’s Cosmere is titled Dragonsteel.)

It all begins with Yolen. In more ways than one.

Read more about Arcanum Unbounded and the Cosmere here on Tor.com.


Brandon Sanderson Has Completed the First Draft of Oathbringer, Book 3 of The Stormlight Archive

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Oathbringer Stormlight Archive Book 3 title

Great news for fans of epic fantasy: Brandon Sanderson has completed the first draft of Oathbringer, the forthcoming third volume in his Stormlight Archive series, keeping the novel on track for a fall 2017 release.

The author revealed the big news late last night:

Oathbringer has a few more draft revision cycles to go through before it’s ready for the printer. Sanderson often goes into detail on how the drafts come together over on the Stormlight_Archive subreddit. Here’s his latest update, for the curious!

Revealing the Cover to Oathbringer, the Third Book in Brandon Sanderson’s Stormlight Archive

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We are excited to reveal artist Michael Whelan‘s cover to the U.S. edition of Oathbringer, the much-awaited third book in Brandon Sanderson’s Stormlight Archive fantasy series.

“We’re centered on a scene where Jasnah confronts the invaders,” Whelan says of the cover. “A giant has smashed a breach in the city wall, and Jasnah is called upon to restore it.”

Oathbringer cover Brandon Sanderson full art

“After dispatching several invaders with her Shardblade sword, she covers the gap with a brassy wall of magical metal. It’s a very visual scene, in which I saw a lot of possibilities for good images.”

Jasnah fighting a giant is a strong, evocative image [see: Where Does the Cover to Brandon Sanderson’s Oathbringer Take Place?] and Whelan’s initial sketches for the cover to Oathbringer focused on building the visual up:

“[These illustrations] are simple color experiments, playing around with creating lightning effects by painting in an acrylic wash them scribing out the lightning with a sharpened chopstick.”

Oathbringer cover background

Art by Michael Whelan

Oathbringer cover background

Art by Michael Whelan

“This is one of the various layout ideas I sketched out for the book cover. I picked the most likely of the pencil sketches and painted them as monochrome value studies, and –”

Oathbringer cover sketch

Art by Michael Whelan

“This is an example of one of them.”

Oathbringer cover comp

Art by Michael Whelan

“This illustration is the one that was selected. I did a small [only 3 inches wide] sketch of the colors I planned for the picture, then went to work on the large and final version.”

Oathbringer cover comp smaller

Art by Michael Whelan

“With the next illustration, I had laid in the general areas of color but decided it wasn’t going well. Upon consideration I realized the rocks I had painted into the wall were too distracting, so I repainted them in a simpler and – I hope!– less confusing pattern.The rest of it was just trying to get the image to match the picture I saw in my head.”

Oathbringer cover color sketch

Art by Michael Whelan

With that, the final cover was beginning to take shape.

“Brandon doesn’t elaborate on the formation of the metal which Jasnah casts up to shore up the stone wall,” says Whelan. “But in my mind I saw it as an organic process which, though metallic in texture, would have the appearance of “growing” in to fill the breach, like a stop-motion film of a mold growing or a flower opening. That lead me to thinking of using fractal patterns to define the growing shape of the metallic wall.”

Oathbringer cover draft

Art by Michael Whelan

Refinement of the cover proceeded from there, until finally…

Oathbringer cover Brandon Sanderson full art

Art by Michael Whelan

Oathbringer, Book 3 of the Stormlight Archive by Brandon Sanderson is currently scheduled for release on November 14, 2017. It is available for pre-order now.

Where Does the Cover to Brandon Sanderson’s Oathbringer Take Place?

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Oathbringer cover Brandon Sanderson full art

The recently revealed cover to Oathbringer, the third book in Brandon Sanderson’s Stormlight Archive, promises page-shattering action, but for fans of the series a larger question looms: Just where in the world of Roshar does this scene take place?

(Spoilers ahead for The Way of Kings and Words of Radiance.)

Here’s what artist Michael Whelan was asked to paint for Oathbringer:

We’re centered on a scene where Jasnah confronts the invaders. A giant has smashed a breach in the city wall, and Jasnah is called upon to restore it.

Due to the unique nature of the world of Roshar, city walls often signify life or death for their residents. Heavily reinforced walls are the only consistent defense against “highstorms”, maniacally large hurricanes that are strong enough to scour the landscape down to the rock. On the eastern portion of the Roshar supercontinent, a city without a wall soon ceases to be a city at all.

By the end of Words of Radiance, the previous volume in The Stormlight Archive, an “Everstorm” has been unleashed to sweep over the entirety of Roshar. It is possible that the same malevolence behind the Everstorm has also sent forth a giant–or giants–to break down city walls in order to ensure complete destruction of everything in the Everstorm’s path.

So which city on Roshar could Jasnah be frantically defending?

 

1.) Kholinar

Roshar Kholinar
Throughout the current books in The Stormlight Archive the Alethi are locked in a war of attrition with the Parshendi. By the end of Words of Radiance, the Parshendi have managed an end-run around the Alethi forces by summoning the Everstorm. Busting down the walls of the Alethkar capital of Kholinar would be a devastating follow-up, forcing the Alethi to retreat to their capital and crippling the morale of those forces and the Alethkar citizenry, sealing the Parshendi’s victory.

 

2.) Vedenar

Roshar Vedenar
Vedenar is the capital of the neighboring country of Jah Keved and striking it down would be an ominous precursor to a full-scale assault on Kholinar. Since an attack on Kholinar seems like a high profile event (and thus unlikely to be on the cover in exact detail for fear of spoilers) Oathbringer‘s cover could be depicting an attack on a “lesser” capital. Just a taste of the madness to come.

 

3.) Kharbranth

Roshar Kharbranth
Jasnah and her cohort Shallan spent the majority of The Way of Kings in this coastal city, eventually discovering that it’s the current center of power for the Big Bad behind all of this. Jasnah and Wit may find a key weakness residing within Kharbranth that could prompt the malevolence behind the events in The Stormlight Archive to wipe the city off the map in order to preserve its advantage. Jasnah may, in essence, be attempting to preserve Kharbranth from itself.

 

4.) Urithiru

Roshar Urithiru

Urithiru may or may not be in this area of Roshar…

This ancient nationless city is where most of the series’ characters find themselves by the end of Words of Radiance and it may be hiding access to a power that can match the malevolence behind the Everstorm.

One possible issue with this… Urithiru isn’t known to have highstorm-defraying walls!

 

5.) Rall Elorim

Roshar Rall Elorim

The most northwestern city on the Rosharan supercontinent doesn’t have walls built to withstand a highstorm, since highstorms never penetrate to the western portion of the Rosharan supercontinent. But it still has walls, and it’s home to Lift, who has been popping up on the edges of The Stormlight Archive in preparation for her full entry into the main series.

By the end of Words of Radiance Jasnah has been positioned as essentially the “Nick Fury” of the series: the gatherer of heroes. It’s possible that Jasnah travels to Rall Elorim to collect Lift and finds the city under assault.

Another possibility: The Everstorm is odd in that it will travel from west to east, hitting lands that have never seen a highstorm, including Rall Elorim. Being an engineer, Jasnah may spend the beginning of Oathbringer rebuilding or reinforcing the walls of these western cities in preparation for the Everstorm, stumbling across Lift and giants along the way. That’s a lot to do, of course, but Jasnah is one of the few characters who would be capable of such derring-do.

Maps of Roshar by Isaac Stewart

Answering the Questions Posed by That Oathbringer Cover

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Oathbringer cover Brandon Sanderson full art

The recently released cover to Oathbringer, the forthcoming third volume in Brandon Sanderson’s Stormlight Archive series, has a surprising amount of information packed into it. At first, it may seem like a straightforward fantasy cover—there’s a warrior, a sword, and a monster—but each of these elements is depicted with unique specificity, raising questions about larger mysteries within the Stormlight Archive series itself.

What’s the giant? What’s happening to the sword? What city is being defended? And is our hero Jasnah actually…not supposed to be fighting?

(Spoilers ahead for The Way of Kings and Words of Radiance.)

Although artist Michael Whelan is depicting a scene from within the forthcoming Oathbringer, covers of this nature tend not to be exact reflections of a scene. The idea is more to evoke the feeling of the scene—in this case a passionate show of magical force and high stakes—more than the exact nature of the events in the scene.

Still, there are details in the elements that must remain true to the status of the characters and the rules of the fantasy world of Roshar, and those details are replete throughout the cover to Oathbringer, raising the following questions:

Question: Is the sword really a person?

Answer: Almost definitely. Jasnah’s access to magic (or other extranormal abilities) requires her to bond with a fairy-esque being known as a spren. This symbiotic relationship allows Rosharans like Jasnah to use the spren as a channel/buffer to energies that allow for specific magical abilities. In Jasnah’s case, this means she can teleport herself around the world and transform materials. For spren, the bond seems to fulfill an aching emotional need to be utilized and more connected to the physical world, although we’re still learning about the particulars of the spren’s end of this symbiosis.

From the very beginning of the Stormlight Archive series, Jasnah has caught the attention of a very anxious and somewhat ironic spren named “Ivory.” Ivory was, at first, content to pose as Jasnah’s shadow, becoming belligerent and pretending to threaten Jasnah with a shadowy sword if she pointed out he was reflecting the wrong way, or not keeping up with her movements. Only when threatened back by Jasnah did Ivory show respect and acquiesce to a full bond.

Spren clearly have individual wills, but they also have morphic forms. They are able to take any shape or density that they wish. So why would Ivory become a sword for Jasnah, as he appears to be doing on the cover of Oathbringer? As we learn elsewhere in the book series, spren such as Ivory have a history of being bonded to other magic users who utilize them as nigh-unbreakable swords known as Shardblades. Forming into a Shardblade is the quickest way to maximize the amount of power that Jasnah can draw upon through Ivory, because this is how spren have been utilized for millennia. In essence, Ivory is accustomed to becoming a sword.

And since Jasnah is flying, fixing a wall, and fighting a giant all at once in the cover to Oathbringer, that explains why Ivory is floating next to her in the form of a Shardblade. He’s not so much a weapon in that moment as he is a conduit, and he’s trying to be the best conduit that he can be.

We may also be seeing an instinctive reaction, like a cat hissing at another cat, since Ivory is in the presence of the giant. From The Way of Kings:

According to legend, the Shardblades were first carried by the Knights Radiant uncounted ages ago. Gifts of their god, granted to allow them to fight horrors of rock and flame, dozens of feet tall, foes whose eyes burned with hatred. The Voidbringers.

 

Question: So that giant is also a person?

Answer: Very likely. The giant depicted in the cover is most likely a “Thunderclast,” as it matches the description of a similar monster from a vision Dalinar has had in a previous book.

Thunderclasts are created when a Voidbringer gathers material around their body. One of the eye-widening events at the end of Words of Radiance reveals that Parshendi peoples have bonded with spren to become singular Voidbringer beings, losing their sense of identity in exchange for a fluidity and power of form. Thunderclasts are the next iteration of that process–a Voidbringer essentially armoring up.

The Thunderclast in this cover appears to consist of brick, so it’s possible that it didn’t break through the wall so much as it absorbed the wall to create or enhance its body. (Which makes you wonder what else a Voidbringer could make a body out of. Water? A graveyard full of corpses? Brrr!) The giant is also REALLY giant, indicating that it’s had enough time near the city and/or the wall to absorb a substantial amount of material. Which raises a new question…

 

Question: Does Jasnah arrive late to the fight?

Answer: Possibly. Jasnah has teleportational abilities, so she can jump all around the world, but that wouldn’t explain how she would find out about a Thunderclast attacking a city in time to teleport there. (So far on Roshar, information doesn’t travel as quickly as Jasnah can.) It’s therefore more likely that Jasnah is already in the city when the Thunderclast’s attack begins. That it gets so large indicates a few possibilities: either she has trouble accessing her abilities or she simply doesn’t have access to abilities that would be able to directly combat the giant. Her main abilities, accessed through Ivory, are teleportation (of the self only, so far as we’ve seen) and transformation. The latter could be used to transform the brick material of the Thunderclast…unless transformation abilities such as hers can’t affect material connected to a living soul. (This particular quirk of magic is mirrored in another of Brandon Sanderson’s series: Mistborn. The Mistborn series is connected to The Stormlight Archive, but we have yet to discover how.) If that is the case, Jasnah might not be late to the fight so much as she’s minimizing the damage done, replacing the brick of the wall with metal, and so on.

Or…she’s purposefully kept (or been kept) away from the fight.

 

Question: Does anyone want Jasnah fighting for them?

Answer: Maybe not! There’s a couple of weird details to the cover that suggest a lessened status for Jasnah going into the fight. The first is that her left hand is gloved. The dominant religion of Roshar demands that a woman’s left hand, considered her “safehand”, be covered in fabric. Since having one hand covered is exceptionally annoying (Try going through your day using only one hand.) working women skirt this rule by utilizing gloves. Jasnah, being nobility and not working class, is expected to have loose fabric covering her safehand.

She is gloved in the cover to Oathbringer, however. Does that mean she doesn’t want anyone to recognize her as nobility, in case that stymies her work or puts her in danger? What kind of mission would necessitate deep cover of that nature? This gives further weight to the idea that Jasnah accidentally happens to be in the city attacked by the Thunderclast; that she’s not hunting for them, or even expecting them.

In fact, she may not even want to fight or use her abilities until long after the Thunderclast attacks. There’s clearly an army on the field ready to defend the city against the giant. Jasnah may only act upon seeing that army (which looks Alethi, since the banner insignia is a simplified and sideways version of the cape that Dalinar wears on the cover to The Way of Kings) fail to contain the monster.

Alternately, Jasnah’s a bit of a heretic, and very practical, and the glove could just be a reflection of that.

 

Question: Does any of this explain the stairs?

Answer: Who knows? The floating stairs sure are neat! And they fade away as she climbs up them, it seems… Maybe Jasnah is able to use her transformation powers to make air solid, like Aes Sedai can do in Robert Jordan’s Wheel of Time?

 

In summary, it looks like the cover to Oathbringer may be depicting a pivotal “hero moment” for Jasnah, as she reluctantly rises to the defense of this city and discovers herself as a Knight Radiant, one of the heroes that must emerge in order to fight back the darkness and destruction brought by the Everstorm, the Voidbringers, and the dark mind pushing them forward.

First Kaladin, then Shallan, now Jasnah?

Download Brandon Sanderson’s The Way of Kings for Free on March 23rd and 24th

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The Way of Kings cover art wallpaper Michael Whelan

Renowned fantasy author Brandon Sanderson returns in November 2017 with Oathbringer, the third volume in his Stormlight Archive series, the seminal work in his multi-faceted and ambitious Cosmere series of magical worlds.

Now is the perfect time to begin your journey through that universe.

Tor.com is offering a free download of the ebook edition of The Way of Kings, the first volume of Brandon Sanderson’s Stormlight Archive, on March 23rd and 24th, 2017!

The Way of Kings Brandon Sanderson

The result of over ten years of planning, writing, and world-building, THE WAY OF KINGS is the opening movement of the Stormlight Archive, a bold masterpiece in the making.

— IMPORTANT —

This free ebook download will only be available for 48 hours. You can only download the file between 12:00 AM ET, March 23 and 11:59 PM ET, March 24.

Bookmark this page:

Download THE WAY OF KINGS by Brandon Sanderson

Note: This offer is only available in the US and Canada. We apologize for the geographic restriction, unfortunately it is required for various legal reasons.

 

Speak again the ancient oaths:

Life before death
Strength before weakness
Journey before Destination

The Knights Radiant must stand again

Download The Way of Kings by Brandon Sanderson for Free: March 23rd & 24th Only

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The Way of Kings Brandon Sanderson

Renowned fantasy author Brandon Sanderson returns in November 2017 with Oathbringer, the third volume in his Stormlight Archive series, the seminal work in his multi-faceted and ambitious Cosmere series of magical worlds.

Now is the perfect time to begin your journey through that universe.

Tor.com is offering a free download of the ebook edition of The Way of Kings, the first volume of Brandon Sanderson’s Stormlight Archive, on March 23rd and 24th, 2017!

The result of over ten years of planning, writing, and world-building, The Way of Kings is the opening movement of the Stormlight Archive, a bold masterpiece in the making.

— IMPORTANT —

This free ebook download will only be available for 48 hours. You can only download the file between 12:00 AM ET, March 23 and 11:59 PM ET, March 24.

Download The Way of Kings, Book One of The Stormlight Archive by Brandon Sanderson

Note: This offer is only available in the US and Canada. We apologize for the geographic restriction, unfortunately it is required for various legal reasons.

If you’re having issues with the sign-up or download process, please email ebookclub@tor.com.

Speak again the ancient oaths:

Life before death
Strength before weakness
Journey before Destination

The Knights Radiant must stand again

Reminder: Download The Way of Kings by Brandon Sanderson Before March 25

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The Way of Kings Brandon Sanderson

Tor.com is offering a free download of the ebook edition of The Way of Kings, the first volume of Brandon Sanderson’s Stormlight Archive, on March 23rd and 24th, 2017.

The result of over ten years of planning, writing, and world-building, The Way of Kings is the opening movement of the Stormlight Archive, a bold masterpiece in the making. The new book in the Stormlight Archive series, Oathbringer, appears this November.

— IMPORTANT —

This free ebook download is only be available until 11:59 PM ET, March 24.

Download The Way of Kings, Book One of The Stormlight Archive by Brandon Sanderson

Note: This offer is only available in the US and Canada. We apologize for the geographic restriction, unfortunately it is required for various legal reasons.

If you’re having issues with the sign-up or download process, please email ebookclub@tor.com.


New Tor Mini Hardcovers Includes: Brandon Sanderson’s Edgedancer, Charlie Jane Anders Collection, And More

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John Scalzi Old Man's War mini hardcover

Miniature books! With miniature pages! And perfect miniature fingers and toes!

Okay, not the latter, but we’re delighted to announce a fistful of small-format 4×6 paper-over-board hardcovers selected from our distant and recent backlist, plus a new-to-book-form story collection by Charlie Jane Anders and the first standalone edition of Brandon Sanderson’s Edgedancer. All coming this October 3rd!

The full list of releases follows.

 

Six Months, Three Days, Five Others by Charlie Jane Anders

Six Months Three Days Five Others Charlie Jane Anders

The man who can see the future has a date with the woman who can see many possible futures.

The Charlie Jane Anders collection, Six Months, Three Days, Five Others, collects all six of the award-winning author’s original Tor.com stories thus far, including “Clover,” set in the world of All the Birds in the Sky, which answers the question on everybody’s lips: What happened to Patricia’s cat?

 

Old Man’s War by John Scalzi

Old Man's War John Scalzi

Considered one of John Scalzi’s defining works, Old Man’s War is the first book in a space opera that currently spans 6 books.

John Perry did two things on his 75th birthday. First he visited his wife’s grave. Then he joined the army.

Far from Earth, the war has been going on for decades: brutal, bloody, unyielding. Earth itself is a backwater. The bulk of humanity’s resources are in the hands of the Colonial Defense Force. Everybody knows that when you reach retirement age, you can join the CDF. They don’t want young people; they want people who carry the knowledge and skills of decades of living.

 

Wild Cards by George R. R. Martin

Wild Cards George R. R. Martin

The first introductory volume to George R. R. Martin’s vast superhero universe, Wild Cards tells you everything you need to know about how our world could become full of superpowered peoples. From there you can stick with the chronology or jump around to one of the 20+ volumes set in a world batted between Jokers and Aces.

 

Edgedancer by Brandon Sanderson

Edgedancer Brandon Sanderson

“Lift prepared to be awesome.”

From Sanderson’s epic Stormlight Archive fantasy series comes Edgedancer, a standalone novella originally available in Arcanum Unbounded, a story collection that explains the various connections in Sanderson’s literary “cinematic universe” known as The Cosmere.

 

 

Ender’s Game by Orson Scott Card

Ender's Game Orson Scott Card

This edition of Orson Scott Card’s classic novel Ender’s Game comes packaged with cover art by Sam Weber. Peek into his process of redesigning Ender’s Game here.

 

From The Two Rivers (The Wheel of Time) by Robert Jordan

From the Two Rivers The Wheel of Time Robert Jordan

From the Two Rivers is the “first book” of The Eye of the World, the opening volume of Robert Jordan’s epic fantasy masterpiece The Wheel of Time.

 

Mapping Brandon Sanderson’s Cosmere Raises So Many Questions About His Future Books

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In fall of 2016 fantasy author Brandon Sanderson officially revealed in the Arcanum Unbounded collection that almost all of his books take place in a single cosmos, known as the “Cosmere”. Along with charts of each star system known about in the Cosmere (here’s an example), the book hinted that characters from the Mistborn, The Stormlight Archive, Elantris, and Warbreaker series had already begun quietly appearing on other worlds (i.e. other books) within Sanderson’s fictional universe.

These “worldhoppers” hold the secret to the larger epic underpinning Brandon Sanderson’s novels and stories, so I got curious…what do we know so far about them?

Spoiler warning: There are some spoilers ahead, but nothing that gives away the entire ending of any of Sanderson’s stories or novels. There may be inadvertent spoilers in the comments, however.

A note: The version of this article originally published on June 6th was sourced from Arcanum Unbounded, Sanderson’s other “Cosmere” novels, as well as the fan-updated Coppermind wiki. As such, it contained canonical facts mixed with speculation, while at the same time missing key canonical statements made by Brandon Sanderson during interviews and Q&As. The article has been substantially updated since then, thanks to the diligence of The 17th Shard forums.

Since the article itself is discussing a work-in-progress there’s no way that it will stay accurate–there will always be more information to add, especially after the publication of Oathbringer (Stormlight Archive Book #3) and White Sand Volume 2 this year–but I’m hopeful that it now provides a solid jumping-off point for fans of Brandon Sanderson to explore the hidden epic behind his many epics, and to join in the speculation as to what future books may explore.

 

First, Some Basics

There’s an inciting event behind all of the worlds in the Cosmere which narratively linked them together and produced the first “wave” of worldhoppers. From Martin Cahill’s “Let’s Talk About Brandon Sanderson’s Cosmere“:

…a long, long time ago, there was a singular entity that went by the name/title of Adonalsium. From what little we know, it was a celebrated force of life and creation. But something happened and Adonalsium was shattered into sixteen shards, each of them containing a single aspect of Adonalsium’s cosmological DNA and power, with both positive and negative aspects contained within.

Present at the Shattering of Adonalsium were sixteen individuals, who found the Shards left from the catastrophe and took them up, gaining immense power, and essentially ascending to godhood. With this newfound power, the Shardholders went off to do whatever it is that gods do.

With a consciousness to direct them, many of the Shards began to Invest their magic and influence in certain planets or peoples. Every Shard impacts a planet in a way that allows certain individuals to tap into its own distinct magical power.

This first wave of sixteen Shards–known more recently as Vessels–puts the list of known worldhoppers in the double digits already. This is our framework for mapping The Cosmere-Thus-Far, allowing us to illustrate the relationships between planetary systems in the Cosmere by way of the beings who have “hopped” between them.

 

The Catalysts: Vessels (Shards)

Cosmere relationship map Shards Vessels

These are all of the planetary systems, focally important locations, and Vessels that we know of at this point. It does not reflect the accurate physical proximities and locations of these systems, as that is information we do not possess, but nevertheless it allows us to “see” magical power being seeded on different worlds visited by the Vessels, creating either purposefully or inadvertently the Cosmere in which Sanderson’s epic tales take place.

We’re missing an additional key element for this relationship map of The-Cosmere-Thus-Far: the timeframe. The Yolen system is a clear starting point, but which Vessels got to which planets first? Did they all leave the Yolen system at once or did they go in stages? We know, for example, that Ambition left before Odium, because it has been mentioned that Odium chased after Ambition with the intent of destroying it. (Odium is one potent animus. Currently it is up to very bad things in The Stormlight Archive series.) Do the events of Mistborn, Warbreaker, or Elantris start right after the Vessels leave Yolen, or are there gaps in when the Vessels arrive and imbue themselves into the worlds we already know? What books would go before each other if one were to assemble a master timeline of the Cosmere?

It’s too early to answer that question as of yet. The Cosmere will contain several sets of Mistborn books, a full 10-volume run of The Stormlight Archive, and lots of other new titles and smaller book sets before its story is fully told. (Brandon himself keeps track of this at the end of year in a “State of the Sanderson” blog post, here’s the latest one from the end of 2016, detailing the many, many books yet to come in the Cosmere.)

Like hobbits on the way to Bree, we’re still figuring out what shape our journey is going to take, and there’s no way to accurately predict how it will populate and unfold. We as readers are still discovering the shape of this epic. But that’s okay, because so are a lot of other worldhoppers in the Cosmere!

 

Those Who Came After: The Worldhoppers

In the Cosmere, worldhopping is made simple by the existence of “The Cognitive Realm,” an other-dimensional space where certain portions of The Physical Realm (normal space) are represented, allowing for quick and easy passage between planetary systems. Not everything in the universe is fully represented in The Cognitive Realm, and in fact Khrissalla, a worldhopper studying the magic systems of each world affected by the Vessels, notes in Arcanum Unbounded that it may be possible that worlds disappear and reappear in The Cognitive Realm over time. Worlds and the strength of their presence in The Cognitive Realm may have something to do with the travel of the Vessels. Or it may be the other way around, that the power of the Vessels is what allows access to The Cognitive Realm, and that the worlds we see in the relationship map above were simply the easiest ones to get to via the Cognitive Realm.

Regardless of its potential origins, The Cognitive Realm allows many different types of worldhoppers, from supermagicked knights to over-tired economists, to transit between different planetary systems. We have already seen some of these worldhoppers in Brandon Sanderson’s books, often unknowingly, and if you add them to the relationship map, the Cosmere-Thus-Far gets very busy, very quickly.

Cosmere relationship map

For the sake of simplicity (uh huh), the above relationship chart is limited to individuals and groups that are interested in the machinations of the Vessels…as well as the individuals and groups interested in those who are interested in the Vessels. (Simplicity!) Through interviews and Q&As and snippets throughout the books, Sanderson has revealed that travel between worlds in the Cosmere is so robust that it supports an entire interstellar economy and culture!

Despite the ubiquity of worldhopping, it is an open question as to how many denizens of the Cosmere know about the shattering of Adonalsium, or the spread of Vessels throughout the Cosmere. (After all, if interstellar travel had always been easily available throughout history, would you question what sustains it?) However, there is one individual in particular who keeps showing up in Sanderson’s books, and who seems to know a lot about what’s going on: a man named Hoid.

Hoid, or one of his aliases, can be spotted in The Stormlight Archive, Mistborn, Warbreaker, and Elantris. And he seems to know an awful lot about the Vessels, to the point where you have to wonder if he played a role in the inciting event on Yolen, the very event which kicked off the spread of magic to other worlds.

Hoid is curious and in turn engenders curiosity in those he meets, especially in Khrissalla, another important worldhopper who we recently met in the White Sand graphic novel. Flip to the back of any Brandon Sanderson book and you’ll see her work under the title “Ars Arcanum”. It is she, and sometimes her assistant-for-hire Nazh, who study the worlds of the Cosmere and map out the magic systems left behind by the Vessels, potentially spreading information about the larger Cosmere to new worlds. A beginner magic-user within the Cosmere, given access to Khrissalla’s Arcanums, could perhaps figure out how to expand their abilities enough to begin worldhopping themselves. We the readers are curious about the Cosmere, so the curiosity of Hoid and Khrissalla is easy to understand. In a sense, they’re exploring the Cosmere for us.

 

Questions, Questions…

Although these Cosmere-Thus-Far relationship charts don’t show every known (or suspected) worldhopper in Sanderson’s Cosmere, and although it’s not limited to a single timeframe, charting out movements between planetary systems still reveals some interesting new questions that may be answered by future novels.

Does the planet Yolen still exist?

No one ever seems to go back there and it’s the location of a veritable god splitting into Shards, so…

…yes, actually, it’s still there. An individual named Frost sends a letter to Hoid from Yolen in The Way of Kings. Hoid sends one back in Words of Radiance.

But what is it like?

Where did all this humanity come from?

Yolen being set up as an originating planet for worldhoppers (most of whom are human, or human enough) implies that Cosmere humans also originated there. So where did the humans on the other planets…like Roshar and Nalthis and Sel and…come from? Are they all descended from the inhabitants of Yolen? If so, how long ago did Yolen colonize the Cosmere? Long enough for societies on different planets to forget their origins? If not, what’s the explanation for human similarity between worlds? (Recent events in The Stormlight Archive and Mistborn may hold a lot of clues regarding the answer to this question.)

What’s with that box called “Silverlight”?

We don’t know for sure, but it’s not a planet and Khrissalla mentions it a few times in Arcanum Unbounded, so it’s most likely a repository of knowledge and/or research accessible to worldhoppers. Rumor has it located entirely within The Cognitive Realm, making it even more unique.

At the very, very least, Silverlight serves as a waypoint for worldhoppers, accessible from most places (if not everywhere) in the Cosmere and vice versa. (That’s why it’s somewhat cordoned off in the relationship map, otherwise there would be lines connecting every world and every worldhopper to it, and no other journeys would be visible.) That also means that what appears to be a direct line of travel, like Hoid hopping from Scadrial to Roshar, could just as easily include Silverlight as an unseen waypoint.

What are those question marks in the paths of Ruin and Odium?

That means they may have gone somewhere unknown before resuming that path.

Can a Vessel visit Silverlight?

Unknown, but Theoryland may have a clue from Sanderson logged in its vast archives.

Theoryland is totally Silverlight, isn’t it?

Er, uh…”read and find out”?

Why doesn’t anyone visit First of the Sun?

Khrissalla explains why in Arcanum Unbounded. It’s a Cosmere world, so it’s included in this map, but it’s not well-traveled.

How do the events on Roshar (Stormlight) and Scadrial (Mistborn) line up?

Hoid is prevalent in both The Stormlight Archive and both Mistborn sets of books, but the latter spans many centuries, so how does it all fit together?

I owe a big thanks to Pagerunner, Oversleep, Argent, and Chaos on the 17th Shard forums for pointing me to Sanderson’s answer (and many others) regarding this question. Right now, the order is:

  • The first Mistborn trilogy (Final Empire)
  • The first 5 Stormlight Archive books
  • The second Mistborn set of books (Wax & Wayne)

So The King’s Wit, as Hoid is known on Roshar, the planet of The Stormlight Archive, probably survives until at least Stormlight Archive Book #5. Maybe. (Death may be an open question in the Cosmere, but that’s a theory for another day!)

Where are the other Vessels?

In brand new stories yet to come! As mentioned above, the State of the Sanderson gives a good outline of Cosmere epics yet to come, so we’re bound to add more planets, locations, and people to this map as those epics reveal the presence of more worlds and more Vessels.

When will we see more explicit crossovers between novels/Cosmere worlds?

We seem to still be in the “Marvel Cinematic Universe Phase 1” portion of Sanderson’s Cosmere epic. There are cameos, and the equivalent of post-credits scenes pointing to a larger threat, but we’re still learning the lay of the land. (Hence this article trying to make visual sense of the Cosmere-Thus-Far, really.) At the moment, The Stormlight Archive series are the books most deeply steeped within the larger lore of the Cosmere.

Who are the Five Scholars? The Seventeenth Shard? The Ire? And Iyatil and Demoux and…

Sanderson’s published Cosmere books contain highly visible worldhoppers like the Vessels, Hoid, and Khrissalla, but they also contain blink-and-you’ll-miss-them easter eggs of other worldhoppers. Some of these folks, like The Seventeenth Shard, seem to be working to counteract whatever scheme Hoid is up to, although we don’t know if that is for good or for ill. (Perhaps they want to preserve Odium’s presence in the Cosmere or perhaps Hoid’s plans too often interrupt their own.) Some of these folks are only mentioned in brief lists, like the Five Scholars, with their purpose and location as yet untold. And some are almost literally part of the background, like the Ire, an army stationed in The Cognitive Realm, mentioned in passing.

Some names on the relationship map you’ll have to explore on your own, either through the Stormlight wikiCoppermind wikiTheoryland, or The 17th Shard forums.

And some names, both major and minor, I haven’t included on the map at all.

Happy hunting!

Unity of Purpose: The Oathbringer Beta Story

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In Which… Brandon Sanderson’s dedicated band of Knights Radiant search out problems in the world of Roshar, on behalf of Cosmere fans everywhere. Oathbringer is coming, and work behind the scenes has been building for many months. Now it’s time to ramp up your anticipation, making sure y’all are as excited as you can get by November—as much as we can without giving anything away, of course, because we would NOT do that to you. However, spoilers for The Way of Kings and Words of Radiance abound, so if you haven’t read them, be warned.

A long time ago (a little over three years), my first article for this website was about beta reading Words of Radiance. There’s a fair amount of water under the bridge since then, and I’ve done more beta reads, all of which functioned more or less like that one. Then came Oathbringer. I’m here today, in collaboration with a few of the beta readers, to talk about what this one was like. Special thanks to Ted Herman, Ravi Persaud, Joel and Jory Phillips, Ross Newberry, Brandon and Darci Cole, Deana Whitney, Alyx Hoge, Eric Lake, Nikki Ramsay, Gary Singer, Paige Vest, Becca Reppert, Lyndsey Luther, and Mark Lindberg for all their input. They are a small but representative (and vocal) sampling of the beta readers; so far as I know, they will all return for the gamma in the next few weeks.

Alpha, Beta, Gamma

For those new to the concept, here’s how the Greek letters work in the Sanderson world:

Alpha readers are (logically) the first to read what he’s working on, and give early feedback on bits and pieces before a complete novel has come together.

Beta readers from a variety of backgrounds and interests join the alpha readers later, to give feedback to and through the completed novel. Beta reader Brandon Cole writes:

As beta readers, we have two very different jobs that have to be balanced.

  1. Immediate reaction feedback—Brandon wants to know how I as a reader feel at any given point. How do I feel about this? Do I have a question about this? What/how does this make me think?
  2. Looking for continuity. While enjoying the book and fanboying over every new bit of lore, it’s important to look for and comment on anything that feels like it might be out of place, out of character, or just plain contradictory to other parts of the story. This can be difficult to balance against the thought that “Oh, he knows what he’s doing and is amazing, so everything must be intentional.” The BrandonFan goggles have to come off during the beta process.

Gamma readers are the final group to review the book before it goes to print, looking for nitpicky details that only a human brain will be able to catch: missing prepositions, the correct place to hyphenate an in-world term, a misplaced name… that sort of thing.

So. That’s how it usually works. For the most part, that’s how it worked for Oathbringer… except on steroids.

Now, you have to understand how our beta-reading functions. It begins when Peter Ahlstrom emails the document to the beta readers, who choose their own methods to read and to record personal reactions. He also emails the link to a Google spreadsheet, with tabs for timeline, general explanations, each chapter (sectioned by Plot, Character, Culture, Other, and Title Suggestions), and general reactions. The procedure is usually to read a chapter, making notes as you go, and then enter your comments in the spreadsheet. (Some folks prefer to enter stream-of-consciousness comments as they read. I used to, but I hit one too many spoilers for things later in the same chapter… so I started collecting my comments in my document margin and entering them at the end of the chapter.)

So, Oathbringer. Beta-reading on steroids. In the first place, the beta version was 517,000 words. (For reference, the final count for Words of Radiance was 403,000, and the final revision of Oathbringer is around 450,000.) Because of the size and the structure—and to streamline the process so deadlines weren’t so deadly—the beta read was done by parts. When we started on Part 1, Brandon was revising Part 2, and Moshe Feder (his editor) was still working on Part 3.

In the second place, there were approximately 8,257 beta readers. Okay, I’m exaggerating. There were about seventy… which is more than twice what I’ve experienced before. This created issues—the first one being that Google Sheets isn’t entirely prepared to have seventy people entering data at the same time in the same spreadsheet! The other major issue, initially, was that there were so many comments it was almost impossible to figure out whether your thoughts had already been addressed, or where to add them. Combine that with a lot of first-time beta readers (it’s so easy to forget to separate reactions into the different sections!), some of whom didn’t realize that we needed to keep the comments sequential within a section… well, it was pretty chaotic for a while.

These particular issues were resolved in a couple of ways. Because everyone reads and comments at their own pace, the initial volume dropped off as real life intruded on reading time, spreading out the inputs. So that helped, along with a gentle reminder via email about keeping things in order. We also had a new column for “upvotes”—plus-one if you just want to note your agreement with a comment—which cut down dramatically on the “Me too!” “Me three!” sort of thing we used to do. And one of the biggest innovations in Sanderson beta-reading came about when Mark developed a script that would insert persistent paragraph numbers—which was a huge thing, because with the variety of platforms we were using, page numbering was useless as a sorting tool. Let me tell you, paragraph numbers were AMAZING. They may have saved our sanity—and also friendships.

The ultimate solution was for everyone to pull together and make it work: for each other, for Peter, for Brandon. And it did work.

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Question & Answer with the Beta Readers

A few weeks ago, I asked the Storm Cellar group what questions, if any, they would like to ask the beta readers. I did a little Google Sheet of my own, though not for 70 people—for one thing, I didn’t have everyone’s email addresses, and for another, I’m not as incredible as Peter! Still, we collected some good material for your entertainment and enlightenment. (I only wish I could include all of it!)

Q: How soon will you read Oathbringer again after it comes out?

A: Unanimously, “When the gamma read starts!” After that, the answers ranged from, “On the plane home from the release party,” to “Oh, sometime in the first couple of months. Life’s busy.” Most agreed that the first thing they’ll do with a hard copy, though, is look at all the artwork. Some of it will be included in the gamma version, but there will be some we won’t see until publication.

Q: How challenging is it when canon differs from what you read in the beta?

A: The most up-voted answer to this was Ross’s: “I occasionally get surprised by misremembering a detail that changed, but for me the best part is seeing how feedback was incorporated to make the end result a better work.” Beyond that, several people commented along the lines of “I expect it to change, so it’s not a problem.” A couple of my personal favorites were these:

Alyx: “I feel like I’ve been filing away “suspect scenes” that are likely to be changed so that I can intentionally pay attention to what’s different when the final version comes around. I’ll just have to be careful to keep the final version straight in my head!”

Becca: “This is my first time as a beta reader so I don’t know yet. But I’m excited to see how much changes and if future me remembers things wrong because of it.”

Q: How extensive are the comments that you make? And how many of your comments/ changes/ suggestions actually make it into the book? Sub-question, has a suggestion of yours become a major (or not) point in the canon?

A: BAHAHAHAHA!! Fun trivia fact: there were more words in the comments (not even including quotes) than there were in the manuscript; Peter stopped counting after 550,000 words. The comments were… extensive. Yes. Oddly enough, most of us thought we were commenting a lot, but as Ted noted, “when I look at the accumulated comments of the other betas, I feel like I didn’t make enough comments.”

As far as how many of our inputs “make it into” the book… well, it’s more a matter of influence, and that’s hard to quantify. In the final version, there are definitely changes that reflect the discussions we had, though we rarely know how much of that is a matter of confirming something Brandon planned to change, versus taking a new tack. Even when there are specifics, we’re a bit skittish of pointing them out; while it’s nice to know we helped, we have no desire to cast any shade on the author! Plus, to avoid spoilers and because we don’t yet know what was changed, we can’t give any examples from Oathbringer.

That said, Joel reminded us of how Words of Radiance was slightly altered to include the pain and the aftercare involved in acquiring tattoos, based on the personal experience of several beta readers. He also recalled his support for Dalinar calling Kaladin “Soldier;” some thought it sounded derogatory, but for a guy with military experience, it was a term of respect. It stayed. Lyndsey led the charge to formalize the wording of Kaladin’s third Ideal, which originally seemed too casual for such a momentous occasion. And then there was The Great Skirts in Water Discussion, wherein all the women piled on to insist that skirts will most emphatically not flow gracefully when descending into water. (To be fair, I’m reasonably sure the men had limited experience with the general behavior of skirts in such situations, and none of them were foolish enough to argue with us.)

Also, Gary is counting the number of his jokes included in final versions. He’s at three so far.

Q: Does beta-reading take away the enjoyment of experiencing the published work in its final form?

A: The responses to this covered the full spectrum from, “No, not at all,” to “Yes, absolutely.” One of the most reflective responses was this one from Nikki:

For me, yes, it does take away some of the joy of reading the final published book…. It takes away from the excitement of Release Day, the ability to read at your preferred pace, and the ability to be in your own world while reading it. That last is one of the major downsides, for me, of a beta-read done by such a huge group in a relatively public space. You lose that first pure, personal experience with the book, because you’re also seeing many other people’s opinions and predictions, and discussing things as you go. Beta-reading turns that first read-through into “work” for me. It’s a completely different experience than just picking up a new book and reading it for fun.

Whether it takes away the enjoyment for any individual is… well, individual. But I think we all agreed that beta-reading changes the enjoyment.

Q: Did you make sure he didn’t use “maladroitly” again?

A: We had a good laugh about this one—and naturally, Ravi had to research it. Turns out that Brandon used “maladroitly” five times in one book, and only three times in all his other books, but that five times made it a Thing. We did threaten to find places to insert it in the gamma, though.

Q: How have you seen Brandon’s writing evolve with Oathbringer vs. previous works? (Specifically wrt: TSA, focused on technique improvements and that sort of thing, not content-specific.)

A: Everyone who responded to this had a different angle, but everyone said they had certainly seen improvement. It’s really hard to pick just one or two comments for this one! Ravi noted Brandon’s increasing ability to elicit emotion, and as Eric said, “The lows are so devastating, and the highs will make you scream with joy.”

Others mentioned greater skill with chemistry and romantic tension; the self-contained structure within each Part; the build-up of context and meaning to a dramatic pay-off at the end; and the remarkable ability to still surprise the reader with amazing plot twists and incredible character moments throughout the book.

Q: How much is Team Dragonsteel involved in your discussion? Do you talk with Peter Ahlstrom or even Brandon himself very much during the beta read?

A: To paraphrase Jory a little, “Contact with Dragonsteel is limited, but not restricted. Peter is constantly on the prowl through the beta spreadsheet, offering points and counterpoints and generally keeping us in line… We had no direct contact with Brandon, though we did occasionally see him creeping through our work late at night.”

Lyndsey mentioned the late-night creeping at a signing: “He laughed and said it was a huge temptation to just leave the spreadsheet open all the time and watch us comment.” She also observed, as we all must sometimes, that Peter is marvelous. “He doesn’t get NEARLY enough credit for all the amazing work he does on these books. Any time any of us had a question, he’d be there to answer it. He worked with us to streamline the process and make it easier for us all.”

Q: Are there any obvious hints you don’t catch during beta and find them later on reread (and facepalm yourselves)?

A: From Darci: “I ALWAYS miss stuff when reading these books. So for me it was incredibly eye-opening to watch the rest of the betas discuss points of interest that had completely flown past me. I’m much more of a casual reader, paying less attention to wider Cosmere references, so getting to see others catch those as I read was awesome.”

We each tend to look for different things, but I’m pretty sure we all miss things the first time through. My personal example from Words of Radiance was Zahel’s identity; I missed that, and didn’t entirely believe the beta readers who did catch it… until Nightblood showed up. So it’s less a matter of finding them on a reread, than it is being stunned by what someone else catches that I just flat-out missed.

Q: I would also love to hear any stories you’ve got about particularly intense debates or silly controversies that the beta readers got into, or weird inside jokes or misunderstandings.

A: This one could be a standalone article of its own!! We’d talk about Ravi, our resident speed-reader, who would be making comments on the last chapters when most of us were still in the first third. The pun-offs in the beta chat. The debates… well, we can’t talk about those yet, because they have too many spoilers. (I’ll include some of those in the spoiler review or the follow-up, I promise.) The theorizing while waiting for the next Part to come out. (Mark thinks we should find a way to force everyone to stop at one specific point and discuss for several weeks before being allowed to move on.) The typo jokes. (Well, mostly one, which will forever among this group of beta readers be a rallying cry: “That tight sh*t!”)

One that will always be a “fond” memory—or perhaps not so fond, because the argument got flaming hot—was “that one point where Brandon directly asked for our positions and mine ended up being the opposite of what I ever thought, and everyone was divided and it was awesome to read all the opinions. That was pretty great.” (Mark) It was pretty great—I, too, was shocked to find myself voting exactly the opposite of what I’d always said. We’ll all be watching to see how the final version of that turns out!

My personal favorite, though, is the Beta Babies. Yes, we had Beta Babies, and they are adorable. “Thumper” was born to Brandon and Darci Cole, just a few hours before Lyndsey Luther delivered Sammy, about a week before the beta read officially started.

Beta versions:

Here’s “Thumper” in early January, just about the time the beta started:

And Sammy (photo credit to Shannon Sorensen):

For the Gamma versions, here are brand new pictures as of the day of uploading this article:

Grown just a bit, they have. Check out the stuffed animal for scale! All. The. Cute.

Q: How unique and/or similar are the analyses of each of the beta readers?

A: From Joel: “What I love about this group of beta readers is the diversity of style and vision. It can cause interesting discussions in the beta chat. Everyone seems to have an open mind to a new idea, possibility, or vision. These discussions have never devolved into anything ugly, either. We all seem to recognize that we have equal input, regardless of education, background, and interests. We get multiple opinions/viewpoints on multiple subjects.”

Ross pointed out that the different areas of focus and expertise worked well together: laws of physics, magic system quirks, fashion, relationship dynamics, politics, historical accuracy, physical descriptions… Add it all together and the coverage is pretty thorough.

Several people noticed certain trends in perspective. Nikki says, “As you beta-read, you’ll definitely start to notice the people whose opinions (mostly) align with your own, or those whose opinions (mostly) don’t. But I don’t think there’s ever been someone I NEVER disagreed with, or NEVER agreed with. We all come at it with different perspectives, and that definitely shows.” Paige also remarked that eventually, whenever she found a comment from Ravi that she agreed with, she felt it was worth mentioning in the spreadsheet. (Come to think of it, that was pretty rare…) There were strong disagreements over the emotional responses of characters in certain situations, for example. (Very. Strong. But civil, too.)

Q: Do you ever feel like Peter and Brandon are delighted—or surprised—by your impressions?

A: It was passed on to us by Peter that Brandon is particularly happy with the beta process this time around. (Thanks for the reminder, Jory.) When the author feels that the beta process was extremely helpful, all the work is worth it.

Darci also passed on one that several of us missed: “Peter mentioned to us that Emily (Sanderson) read a lot of our commentary and she feels like she knows us now, which I think is equally as cool.”

Personal notes from the beta readers:

To conclude this section, let me present a collection of random inputs on the general subject of the Oathbringer beta read:

Ravi: “It’s like we threw an unfinished book and a bunch of crazy, amazing people into a blender and a finished book came out! I loved every second of it.”

Jory: “The most wonderful part of this process is the friendships that have grown from the beta … we all come together in a mutual respect for each other and love for the book that we’re nurturing together.”

Ted: “Reading is usually a solitary activity, but beta-reading and beta-discussion add a whole amazing dimension to reading enjoyment!”

Ross: “For a number of the seasoned beta readers, the Oathbringer beta process started well over a year ago, with a private group reread of the whole Stormlight Archive…, noting unanswered questions as we went.”

Alyx: “It’s really a team effort like nothing else. Every fan has the things that they focus on and their own perspectives to bring to the table. We all put in some contribution and the finished product is a better work for it.”

Mark: “I’d like to highlight the amount of work that being a beta reader involves. For three months, I planned anything outside of work around the beta schedule, because when a new part arrived, I disappeared into my cave, working through a few chapters every evening. I had no free time. It was gruelling, intense, and sometimes discouraging when it felt like all I was doing was +1-ing comments that other people had already given. It is not for everyone, and there are plenty of people who say they want to be beta readers but don’t realize how much work it really is.”

Deana: “The greatest surprise of the Beta was the new friendships. The beta chat can become very busy at times. Yet talking to them every day about something we all loved was friendship development on fast forward.”

Joel: “To know 100 years from now my great great great grandchildren could pick up a Sanderson novel and see our names and know that we contributed to the final product of these amazing stories that Brandon writes, gives me such a warm feeling. For me, a man without a college degree, that grew up reading all kinds of fantasy—C.S. Lewis, McCaffrey, Eddings, Tolkien, Jordan to name a few—to know that over the coming years Sanderson’s name will be considered among equals with those great writers, and to know that even on a small scale you helped contribute to the final product of some of his books, it’s difficult to put to words….”

Darci: “I’ve beta read for a lot of authors, published and aspiring. As a writer myself, I’ve loved seeing the diversity of thought in the readers’ responses, the roughness of Sanderson’s work (it’s nice knowing your heroes aren’t perfect), and seeing the many ways that Peter and the Dragonsteel team help sustain Brandon so he can focus on the part of his work that he truly enjoys. I’ve loved it.”

Eric: “The Oathbringer beta came at my busiest time at my work, but there’s nothing I’d rather lose sleep doing than working on this. It really is a huge array of work. It’s not fun and games. You read an exciting bit—there are lots of them—and you have to stop and write down your thoughts coherently. It’s way more time consuming than reading the book for fun. Still, there’s no place I’d rather be.”

Gary: “I loved it, but it was 2.5 months of sh*t hard work!”

Paige: “I knew it would be difficult yet satisfying work. I did not realize just HOW difficult it would be (my only previous beta being Edgedancer) or how utterly, wonderfully, fantastically satisfying it has turned out to be—both during and after completion. It was the best experience as a fan and I cannot wait to do it again.”

Lyndsey: “I’m going to get a bit sappy here. I’ve done a LOT of beta and gamma reads over the last four years, but this one… This one was so special to me. My baby was born about a week before we got part 1. I was in and out of the hospital with complications and dealing with a lot of depression and mood swings, and beta reading this book kept me sane. Working on this gave me something to look forward to, something to focus on, when everything seemed so bleak and I felt like I would never recover. At least I had Kaladin and Adolin and Bridge 4 to escape to. At least I had this wonderful group of people to be there for me, to talk to me about something other than the depression, to heap compliments and love on my babe when I shared photos. Most of them didn’t know the extent of the pain I was in, but the puns and the debates and the camaraderie helped me to feel connected. To say that this book means a lot to me is an understatement, but a necessary one, as there are no words to adequately express my thankfulness for my involvement and this community of people, in addition to the usual joy of being able to help—in a small way—make something I love even better.”

Becca: “This was so much harder than I expected it to be. I made things hard on myself by planning a wedding and studying for a professional exam as the same time as the beta. I had no idea that the time commitment would be so great and there were times I wondered if I’d be able to do everything. But despite the stress and complete lack of free time, I am so happy to have been given this opportunity to contribute. I would absolutely do it all again.”

So you want to be a beta reader?

Here’s a challenge from Deana Whitney:

  1. Wait a week in between parts. Are you still sane?
  2. Stop reading in the middle of the climax to write two pages about your thoughts and feelings and “his eyes are blue” comments. Were you able to stop reading?

If both answers are “Yes,” you might have what it takes. The personal notes above will give you some idea of the additional challenges. There are probably hundreds of people out there thinking they’d like a chance, but … like Eric says, it’s not fun and games. It’s bloody hard work. Several of us were on the verge of burning out by the time we were done. Only 45 of the original 70 even put their names on the Part 5 spreadsheet. Brandon Sanderson himself was tired of Roshar by the time he finished revision 3. (And he still had another revision to do!) Peter had to enlist the aid of a couple of the beta readers to sort through the comments, collate them, and create a condensed version to be useful. Emily sorted through our myriad chapter-title suggestions to pick the best ones. It was, as several people noted, a grueling process for everyone.

But, WOW. It was worth it. Come on, November!

Alice Arneson is by now a veteran beta reader—who nearly met her match in Oathbringer. Watch for upcoming articles from Tor staff and the beta readers on the story to this point, various refreshers, cosplaying The Stormlight Archive, being a Stormwarden, new artwork, and of course early release chapters of the book itself. Oh, and Alice is sure to do another “spoiler-free reactions” article for you to throw darts at, come early November.

Cosplaying the Stormlight Archive: Alethi Uniforms and the Havah

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Greetings, fellow Stormlight Archive fans and cosplay aficionados! Planning a cosplay from the Stormlight Archive for the upcoming Oathbringer book tour, a convention, or for your own enjoyment? If so, you’re in luck! I’m here to help with the first in a series of articles designed to help you put together the perfect Cosmere cosplay, regardless of your skill level. From beginners who have never picked up a needle and thread to award-winning experienced costume masters, you’ll find everything you need in one convenient location, from pattern recommendations to fabric choices to in-text descriptions. So pull up a chair, pour yourself some blue wine, and let’s talk fashion!

There will be some slight spoilers for Words of Radiance contained in this article, so if you haven’t read book 2, proceed with caution.

I’d like to take one moment here to say that if you choose to buy your outfits or commission them from someone else, it doesn’t make you any less of a cosplayer. Some choose to make everything from scratch and compete in their costumes, while others cosplay to express their love of the characters or the story. Both are cosplay, and neither is superior to the other. The key to cosplay is fun. If you’re having fun, you’re doing it right. All the things that I’m about to write from here on out are suggestions, not rules as to how things have to be. If you want to make your uniform in navy blue or green instead of cobalt blue, go for it! Like your havah with a tighter skirt? Rock it, brightlady. I often deviate from the textual descriptions because I find a design element that is more aesthetically pleasing to me, and I’d highly recommend that you do the same.

Khali as Jasnah Kholin and Sarah McClintlock as Shallan Davar. Costumes by Sarah.

With that out of the way, let’s begin! It’s always challenging to put together a costume from a novel. Without concrete canonical images of the outfits and characters, it can be difficult to create a recognizable version of the clothing worn. However, Stormlight fans are a bit luckier than most, as Sanderson has given us a lot of very clear descriptions and some things that make costumes from his worlds unique. The most common cosplays I’ve seen from Stormlight Archive are the Alethi uniforms and havahs, so we’ll start there with this series. I’ve spoken with several fellow cosplayers and historical re-enactors in regards to patterns, techniques, and designs used, and I’ll break those down here with parts for beginner, intermediate, and experienced costumers. But first, what do the books have to say about the outfits?

The Kholin Army / Alethi Uniforms

“That uniform has a certain… timeless quality to it. The military suit, by virtue of its utility, will never be completely out of fashion.” The Way of Kings (p. 821)*

The modern Alethi officers on the shattered plains appear to wear open-fronted frock coats similar to the second continental uniforms in the Revolutionary War, and for the lower ranked soldiers, closed double-breasted frock coats worn in the American Civil War style. I’ve sent some designs and sketches off to Isaac Stewart (one of Brandon’s artists) in regards to Alethi uniforms, and he’s verified that the military uniform types outlined above are pretty close. With no official artwork other than Michael Whelan’s cover art for Words of Radiance, which isn’t wholly accurate to the textual description, and little in the way of concept art or in-book sketches, we’ve got to give it our best guess. The nice thing is that this allows us some artistic freedom when it comes to the aesthetics! For instance, I personally prefer the contrast of white or tan britches as opposed to matching blue trousers, especially for the officers’ uniforms. I also found that I really liked the aesthetic of the skirt on this frock coat, with the accent color inside the back tails, so I chose to use that design on my own captain’s jacket.

For a starting point, check out this fantastic array (above) of different visualizations of the uniform by ExMachina over on the 17th Shard forums. The two uniforms on the left and the one on the far right seem to be closer to lower ranked soldiers’ uniforms, whereas the others would most likely be officers, going by textual descriptions.

Words of Radiance Era Bridge Four Uniform

The general Bridge 4 uniform is described in Words of Radiance as follows: “Stiff blue trousers and black boots polished to a shine. A buttoned white shirt, only the edges of its collar and cuffs extending beyond the jacket, which came down to the waist and buttoned closed beneath the belt” Words of Radiance (p. 61).

The belt, it stands to mention, is described as having a buckle. The members of Bridge Four wear the Bridge Four patch on the shoulder of their uniforms—on the right shoulder, if the passage about Lopen stands true for all the soldiers (he pulls the left sleeve inside the jacket and points to the patch on the other sleeve). Nothing is mentioned about epaulettes, but “knots of rank” are mentioned several times throughout the course of both books.

Lyndsey Luther as a member of Bridge Four

Kaladin’s Captain Uniform and High Officer Uniforms

Kaladin’s captain uniform “was different. It included a blue waistcoat and a double-breasted blue longcoat, the lining white, the buttons of silver. The longcoat was meant to hang open, despite the rows of buttons down each side” Words of Radiance (pp. 63-64). Later on in that book, the coat is described as coming down to his knees.

Adolin and Renarin (before he joins Bridge Four) wear high officer’s uniforms. They are generally described as more lavish than the common soldier’s uniforms, “with bright buttons up the sides of the fine coats and gemstones set into the buttons. Others ornamented their uniforms with embroidery. Colorful scarves were growing popular” Words of Radiance (p. 499).

Adolin in particular wears “a simple blue outfit of militaristic cut. A long coat of solid blue—no embroidery—and stiff trousers in a time when vests, silk accents, and scarves were the fashion. His father’s Kholin glyphpair was emblazoned quite obtrusively on the back and breast, and the front fastened with silver buttons up both sides” The Way of Kings, (p. 277). He is also described as having “Monogrammed buttons, boots that cost more than some houses, [and a] side sword” in Words of Radiance (p. 636).

Dalinar’s dress uniform is described once, in The Way of Kings. “Dalinar wore a long, thick uniform coat over trousers and shirt. It buttoned stiffly up the chest and to the collar, and was long in the back and on the sides, coming down to his ankles, flowing at the waist like a cloak. In earlier years, it might have been worn with a takama, though Dalinar had never liked the skirtlike garments” (p. 749).

Kaladin Stormblessed fanart by Sarctic on Deviantart

Other Alethi Uniforms

If none of these are catching your fancy, some other briefly mentioned types of uniform are:

Kaladin’s uniform while enlisted in Amaram’s army. He is described as wearing the common leathers of a spearman, but under them was a pair of dark trousers. That wasn’t supposed to be allowed. He also had knots of white cord on the shoulders of his jerkin, marking him as a squadleader. The Way of Kings (p. 39). We can infer that the common leathers include a takama: “a long, straight skirt that went down to his calves.” The Way of Kings (p. 366).

The vaulters, a special division of the armies on the Shattered Plains, use long poles to vault over the chasms and scout ahead of the main armies. All that is said of their uniforms is that they have white stripes edging the coat Words of Radiance (p. 802). I interpret this as a bias tape accent, as can be seen in most of ExMachina’s artwork above.

The female messengers of the Kholin army have their own type of uniform as well. They are described as having a “narrow skirt slit up the sides, with silk leggings beneath” Words of Radiance (p. 884). It’s worth mentioning that later in the same book, Shallan is wearing a similar traveling dress, “with the front and back slit all the way to the waist. She wore leggings—basically silk trousers … underneath” Words of Radiance (p. 924). Is the skirt slit up the sides, or the front and back? Probably an oversight, but it gives us a little wiggle room aesthetically when it comes to our designs!

Art from Words of Radiance by Michael Whelan

Bonus Round: Alethi Formal Wear

Generally speaking, the Alethi nobility seem to prefer silk coats similar to the military uniforms with a lot of silver and gold embroidery and added frippery, like slashes to expose the lining and ruffled shirts. The Way of Kings (p. 22) (pp. 232-233). “The red silk coat was cut short and did not button; almost more of a sleeved vest, it was a mere token nod to traditional Alethi uniform. The shirt underneath was ruffled and white, and his blue trousers were loose, with wide cuffs” The Way of Kings (p. 286). “A few men wore tight, waist-length jackets, but many had dropped all pretense, choosing instead loose silk shirts with ruffled cuffs worn with matching slippers” The Way of Kings (p. 324).

So now that we have some mental images of what Sanderson envisioned, on to how you can buy or make them yourselves!

BEGINNER: You can buy some excellent replica uniform frock coats on sites like C&C Sutlery, JAS Townsend, or Blockade Runner. Depending on how much you want to spend, these coats usually start at around $200. If that price point is a bit high for you, you can also check eBay, or look around for Hamilton costumes. Historical frock coats will be a darker blue than the Kholin cobalt blue and you’ll have to add any in-world embellishments you’d want (Sanderson sells the Bridge Four uniform patch on his website). A pair of matching blue trousers or, if you want to jazz it up a little and move away from the strictly canonical, white trousers or britches (which are tighter-fitting and come to just below the knee or white trousers), a men’s dress shirt, and black boots would complete your ensemble. A waistcoat (what we today would call a vest) is an optional addition if you’re going for an officer’s uniform. Another option, if you’re not up for making it yourself, is to commission a costumer to make it for you. Any decent costumer will be expensive, however, so keep that in mind.

Aaron Larsh as Kaladin Stormblessed

INTERMEDIATE: You can find some decent uniform patterns at your local fabric stores, or online. McCalls has a few pretty good patterns (1) (2) (3) that will work nicely, and they’re not too terribly complicated. Simplicity has this one that could be altered without too much work. (If you’re going for the female messenger’s uniform, check this one out. It would have to be lengthened at the bottom, but the top looks like it would be nicely fitted.) Burda has this one which could work well for an officer’s jacket & waistcoat. Look for heavy-weight cottons/broadcloth, suiting material, twill, or knits in cobalt blue. You can also sometimes find wool fabric at chain fabric stores, but it’s going to be considerably more expensive and usually navy blue instead of cobalt (not to mention hot to wear). You can make the white under-shirt if you like, but it would honestly be easier to buy a standard men’s dress shirt.

Julie Brokish as Shallan and Phil as Kaladin

ADVANCED: First let’s talk about fabric choices. Adolin mentions that there are summer and winter versions of the uniform in The Way of Kings (p. 813). For the winter jackets, I’ve been using melton fabric (a wool/poly blend) since it’s thicker, but for a summer jacket, a thinner wool or cotton twill might be a better choice. (Check the end of this article for comments on in-world textiles if you want to be as accurate as humanly possible.)

I’ve spoken to several friends who make uniforms for historical re-enactments, and they recommend Kannik’s Korner, JP Ryan, or Period Impressions for historically accurate patterns. (Please make certain that you are checking the sizes on the JP Morgan and Period Impressions patterns. Period Impressions in particular are sized according to historical sizes, not modern.)

Historically, frock coats would be lined in linen. The white undershirt should be made from linen or cotton and would be longer than modern men’s dress shirts, falling to about mid-thigh.

An officer’s waistcoat (which could be short or long-sleeved) would also usually be made of linen. Britches were made from wool, whereas trousers were made from linen or a linen/wool blend (linsey-woolsey).

Brian Belanger as Skar from Bridge 4

I think the knots of rank on the shoulders look better when attached to simple fabric epaulettes, but this is personal preference. For my captain’s jacket, I just bought some braided frog closures and used those for the knots of rank, though military shoulder knots would probably be more accurate.

If you have access to an embroidery machine and want to make your patches instead of buying them from Sanderson’s store (he only offers the Bridge 4 patch), you can find some high-quality images to work from here. Adolin wears an ornamental sword, so if you’re cosplaying as an officer, look into leather belts, frogs, and prop weaponry. If you like the look of the shoulder flanges from the cover illustration of Words of Radiance, they’re simple enough to add to your arm scye before you attach the main body of the jacket to the arms.

If you’d like to try adding the Kholin glyphpair to the front and/or back as described in Adolin’s uniform, there are a few different ways to do so. The easiest would be to paint it on with fabric paints (I recommend this brand, make sure you heat set it with an iron afterwards). You could also applique it (note that if you don’t want to have to sew around the edges, you can use a product called Heat n’ Bond heavy duty), or embroider it. Be forewarned, however. The Kholin glyphpair I embroidered on my bridgeman’s uniform took me over thirty hours, and it was just a simple chain stitch, not a satin stitch as I’d originally intended. This will be a time-consuming part of the project.

The Way of Kings Era Bridgeman Outfits

Anthony Acker as Sigzil, Aaron Larsh as Kaladin, Ava Cash as Syl, and Nick Stapleton as Teft

These are somewhat simple to put together (far easier and cheaper than the uniforms, if you’re intimidated by the price point of the stuff listed above!). Trousers (dirtied up and ripped, of course), lace-up sandals, and a vest with leather on the shoulders to pad them for all that bridge-running you’ll be doing will complete this ensemble. If you’d like to buy a vest made entirely of leather, check out motorcycle vests, or jerkins meant for renaissance faires like this one. If you’d like to try making it yourself, this pattern will give you everything you need (and could also double for a good Kvothe costume from Kingkiller Chronicles…). Here’s a good doublet pattern that would work as well. If you don’t have a heavy-duty sewing machine or the time/inclination to hand-sew leather, a heavy cotton broadcloth would be the perfect weight for these vests. Anthony Acker and his group of bridgemen above even built a bridge to carry around with them out of 1x4s and railroad ties!

The Havah

“Like Shallan, Jasnah wore the havah, a Vorin dress of distinctive design. The hemline was down at her feet and the neckline almost at her chin … the silk hugged the body, particularly through the bust” Words of Radiance (p. 38).

There are a few different ways of interpreting the in-text descriptions of the havah. I’ll be focusing on two: the asymmetrical side-closure type as seen in this beautiful fanart by sarctic on DeviantArt, and the front-panel technique executed to perfection by cosplayers Kate Helmly and Steph Greear below.

Shallan Davar fanart by Sarctic on Deviantart

One thing that we’re certain on is that the dresses are meant to be one piece, rather than a skirt/bodice combo. The Way of Kings (p. 134) They’re also meant to fit tightly across the bust and torso, then flare out at the skirt (p. 66). The dresses are usually described as being brightly colored (pp. 22-23), buttoning up the sides (p. 66), and having a small collar (p. 96).

If you’re attempting specific characters as opposed to generic designs, Jasnah is described as having an outfit in violet and gold, and another in deep blue with gold embroidery. Shallan’s is described as blue. (p. 530 & 679). There may be more, but these are the three I found in a cursory search of the books.

We also need to keep in mind the most distinctive part of the Alethi woman’s attire—her safehand.

“Like all Vorin women, she kept her left hand—her safehand—covered, exposing only her freehand. Common darkeyed women would wear a glove, but a woman of her rank was expected to show more modesty than that. In her case, she kept her safehand covered by the oversized cuff of her left sleeve, which was buttoned closed” The Way of Kings (p. 66).

I’ve found that this detail is what allows me to pick out Stormlight cosplayers at conventions. The dresses, while beautiful, can sometimes be mistaken for other fandoms; but seeing that left hand covered is a instant give-away that the cosplayer is portraying a brightlady!

One last note. The hem of the bottom of the havah is designed to have a removable strip, so if the hem gets damaged due to normal wear and tear, only the strip needs to be replaced as opposed to the entire skirt (p. 134). You can see this clearly on Kate and Steph’s havahs pictured below. Fun fact: this technique is historically accurate, allowing women to continue using dresses for years.

BEGINNER: If you’re aiming for the style portrayed in sarctic’s fanart, check out some pre-made Chinese styled dresses (cheongsam or qipao) with long sleeves. The key here is finding one with the side breast closure and preferably a bit of extra fabric so you can extend the sleeve to hide your safe-hand. (If I were going this route, I’d buy two dresses, one in a much larger size, and use the extra fabric from the second dress to extend the sleeve and make the skirt a little fuller and less form fitting.) Alternatively, if you’re not feeling confident doing those alterations, you can make do with a tighter skirt and a glove for your left hand.

Zephaniah in a havah they made from an existing dress

If you’d rather try for a design similar to Kate and Steph’s below, look for any long-sleeved dress with a full skirt. Buy a couple yards of fabric, cut it into a long rectangle and glue or sew it to the front of the dress, sew on a couple buttons, and you’ll have yourself a simple havah!

Renee spoke to me a bit about how she altered existing clothes to bring her Shallan cosplay to life. “I’m not a great seamstress and I was afraid to make a dress from scratch, so I bought a sheath dress and duster set from a thrift store. The dress was too small, so I cut the front panel away from the back, cut it at the waist and gathered it to turn it into a skirt front, which I sewed to the duster. I turned the lapels in and sewed 3 decorative seams to turn the collar into a mandarin-style. Then I found a white blouse with a mandarin collar and embroidery at another thrift store and cut the sleeves off. I sewed the end of one of the shirt sleeves to the right sleeve of the duster to give it a longer, bell-shaped cuff. Then I used the extra material from the back of the dress to make the safehand.”

Renee Bangs as Shallan Davar

INTERMEDIATE: For sarctic’s style, start with traditional cheongsam patterns (this one is a little more challenging since it’s historical), but keep in mind that you’ll need to extend that left sleeve to make your safehand sleeve, and possibly use part of a different pattern if you want the skirt to be more full than form-fitting. A combination of the sleeves and skirt from this pattern mixed with the cheongsam top would work very nicely (pro-tip: wait until patterns go on sale at Jo-Ann fabrics! Once every few months they go on sale for a dollar or two each, which is far better than the usual $15).

Julie Brokish has a good point in regards to symmetry of style when it comes to her design. “Shallan’s gown I designed as if the military culture in Roshar influenced high fashion. I also decided to go asymmetrical. I figured if symmetry was holy, then most gowns and fashions would be asymmetrical, so as not to stray too close to what is holy.” If you’d like to read more about Julie’s costume, she has an album including some close-up shots of the embroidery here, and talks some more about the process here.

Julie Brokish as Shallan Davar

Kate and Steph used this Simplicity pattern (1009)—which is totally Cersei from Game of Thrones, Simplicity, you’re not fooling anyone—as the base for the stunning dresses pictured above and below.

“We removed the zipper and added a button strip [hereafter referred to as a pinafore] down the front,” Kate says, “then grafted on a mandarin collar. The left lower sleeve was extended to fully cover the hand and a strip with buttonholes designed to close around/within … with a pocket included (of course!).”

EXPERIENCED: The cheongsam pattern listed above in the intermediate section would work nicely for the top of sarctic’s design (keep in mind that it is described as being form-fitting).

However, you’ll need to alter the skirts considerably to give them more fullness (this pattern could be altered to do so if you’re not feeling confident enough to drape), and the left sleeve to encase your hand. Don’t forget the interior buttons for your safe-hand sleeve. You can also include a built-in safepouch for your personal items if you’re feeling particularly detail-oriented. Using silk (or tafetta as Kate and Steph did) for this dress would be preferable, but linen would also have a nice fall and would be more breathable.

Steph Greear as Shallan Davar and Kate Helmly as Jasnah Kholin, with photography by Nolan Helmly

The little details and underlying aspects of Kate and Steph’s costumes are what make them so spectacular.

“Both petticoats are made of five layers of organza with a base layer that holds a hoop. Shallan’s was made with increasing fabric on each layer to make a full skirt of a young woman, Jasnah’s the same length each time to make a more diminished, matured woman’s silhouette. Both button at the waist. Both pinafores were cut to enhance the feminine lines. Shallan has a pinafore of simple embroidery, as that is what her family can afford, featuring the glyph for “Lightweaver” on the chest and stylized “Transformation” down the length. This was done using a mix of machine and hand embroidery. Jasnah is the sister of the king, and so includes “stormlight powered” glowing gemstones. These are sew-in gems, with a dremel taken to the back to open a small hole for light to shine through. LEDs were hot glued on the back of the fabric behind each gem to provide light. The patterns were marked with puffy paint then hand-embroidered on, featuring the glyph for “Elsecallers”.”

Yashuntafun Cosplay “hand painted Pattern (Shallan’s spren) on the top layer of the skirt, as he was often described to hide there in the folds of the fabric. I used a slightly darker blue paint so that he would not be super obvious.” If you’re cosplaying as Shallan and intend to try portraying Pattern somewhere on your person like Yashuntafun did, embroidery, fabric paint, or puff-paint are all viable options. Another method to consider is the quilting technique trapunto, to achieve a raised effect.

Yashuntafun Cosplay as Shallan Davar

 

A Note on Textiles

For the truly obsessive when it comes to fabric choices, let’s discuss the greatshell in the room—textiles.

Most of the denizens of Roshar probably wouldn’t have access to what we think of as traditional cotton or wool blends, and they certainly wouldn’t be using the modern staple of polyesters. The way the world is designed, with storms sweeping across the world and the flora and fauna having evolved to survive them, renders most of what we think of as “normal” textiles unlikely. There is one notable exception—in Shinovar, where the storms are mild, farming of sheep and cotton plants is possible. But we have to assume that there wouldn’t be nearly enough grown and raised in Shinovar to outfit the entire rest of the world, which brings us to linen.

Linen was one of the chief textiles of our world for thousands of years in many societies across the globe, thanks to its versatility. It’s made from the cellulose fibers of the flax plant. While we have no evidence that flax is cultivated in Roshar, there are a number of other stalked plants which could be used for the same purpose (knobweed, for instance, which Kaladin milks for its sap in book 1, seems to have the right type of “stalk”). It does bear noting that Sanderson frequently mentions beechwood cotton, which—similar to linen—is fabricated from the cellulose pulp of the beech tree and has a soft, silky feel. Silk is also noted quite often, so we must infer that silkworms or an analogous life-form are being bred.

Hogshide leather is mentioned often throughout the books, so we can safely assume that creatures such as hogs or even skyeels could provide all the leather for society’s needs.

What does this all boil down to? If you want to make your cosplay as accurate as humanly possible, stick to linens, silks, and leather as much as you can.


Well, that’s all for now! Join me next time for information on some specific characters—namely Szeth, Wit/Hoid, and Veil—and how to make your own suit of Shardplate. I hope that this information helps you to buy or create the Stormlight Archive cosplay of your dreams!

Do you have any additional advice or techniques you’d like to share with the community, or photos of your own costumes you’ve already put together? Share them below in the comments, and happy creating!

Many thanks to Nightwing Whitehead, Kylah Coffey and Kathryn Rutkowski for their insight into Revolutionary and Civil War uniforms and designs.

*All page numbers referenced are from the kindle editions.

Lyndsey Luther has been cosplaying since 2003 and has made somewhere in the vicinity of 50 costumes. She’s competed in cosplay competitions both local and international, and is the director of Anime Boston’s Cosplay Masquerade. Her favorite costume to date is Howl from Howl’s Moving Castle; while wearing it she has free reign to wander around cons singing “Uptown Funk” to pretty ladies.

Check Out the UK Cover for Brandon Sanderson’s Oathbringer

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Oathbringer UK cover Gollancz Sam Green

U.K. fantasy publisher Gollancz has just released their cover to Oathbringer, the third book in Brandon Sanderson’s Stormlight Archive series. Check out series artist Sam Green’s full front cover below!

Oathbringer Gollancz cover

Who is this, making an amazing “come at me” face? Could be Jasnah, but the class indicators are missing. Could be Lift but we don’t know if Lift has a sword.

The full cover hasn’t yet been revealed, but this is a very exciting peek nonetheless. Gollancz will publish Oathbringer on November 16, 2017. (The U.S. edition will come out from Tor Books on November 14, 2017.)

Want to dive back into the world of The Stormlight Archive? Check out Lyndsey Luther’s “Cosplaying The Stormlight Archive” series starting here.

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